The Australian architectural studio «Lyons» has finished building a ultra-modern medical complex «John Curtin School of Medical Research». The unique architectural building expressively reflects progressive methods of work and aspiration to innovative processes.

In the medical center based on base of the Australian National University in Canberra are based: research laboratories, medical clinics, health care offices, hall for teaching lectures and the world seminars.

The Innovative Australian Medical Center

Dynamical architectural forms of a building draw attention of the public and personify development and movement. The translucent structure provide premises with necessary quantity of natural illumination in stylistics of fine style of Art Deco. However especially effectively unusual building to the evening.

The impressing effect amplifies contrast of black elements of a facade and snow-white internal panels, which simultaneously open to a sight at certain points of view of it unique building.

VIA «Unusual Medical Complex (Australia)»

Trick ‘R Treat (movie poster)

Prepare for an epic post fellow movie lovers, as I finally finished the full transcript of my interview with Tom Andersen and Mark Redford about their up and coming 3D horror film The Dark Things. For those who have been living under a rock and have no idea what I’m talking about, don’t be lazy, scroll down the page and read the full story a few posts below. Anywho, as I eluded to last week, the interview is extremely interesting and Farmer in particular shared some awesome insights on Hollywood, modern horror films and 3D technology. Enjoy and stay tuned for more The Dark Things updates.

Jane Storm: So now that you’re here, what have you guys been doing so far? Have you been busy scouting locations?
Tom Andersen: Yes, we’ve already had a meeting with Warner Roadshow Studios and talked about the different places we can film and what Queensland has to offer, which is obviously a lot. We’ve been very happy with that.

Jane Storm: So you’re definitely coming to shoot here?
Tom Andersen: Yes, definitely.

Jane Storm: Cool!
Tom Andersen: We’ve been giving Todd a quick, rushed Australian education.

Jane Storm: Have they been getting you hooked on Tim Tams and Vegemite yet? Tom Andersen: Oh, we’ve got him hooked on Tim Tams, but he’s not a fan of Vegemite.
Mark Redford: The Tim Tams are fine, I have no problem with Tim Tams, but Vegemite…
Tom Andersen: But he needed to do that to experience what we go through (laughs).

Jane Storm: And you will be shooting the film primarily at Warner Roadshow Studios?
Tom Andersen: Yes and on locations throughout the coast.

Jane Storm: When are you planning to start filming?
Tom Andersen: The start of the year, definitely next year.

Jane Storm: Great, I’m just trying to suss that out so I can lurk on set everyday. So, the storyline, it’s about Aboriginal legends that come to life? Have you started writing the script already?
Mark Redford: I started the outline for this, then decided it would be better to just come here and dive in, meet the people, see the locations and look at pubs. I can write pretending to be an Aussie, but I need to come here to experience it. We have consultants that we’re going to meet with. It’s been quite fun.

Jane Storm: What kind of research have you had to do so far?
Mark Redford: Just researching…even film is different. Watching your films compared to our films, they’re different. So, watching films and what I like to do the most is just people watch. While that sounds boring, it’s actually fascinating because everything is different, everyone is different; the way you drive, the way you think. It's really quite fun because I've never done anything like this. At the end of the day it will all come down to the story, it will all come down to the characters. I grew up reading Stephen King and he was great at taking ordinary people and dropping them into extraordinary situations and that's exactly what I'm going to do.

Jane Storm: Right. As far as Aboriginal legends and Aboriginal culture goes, have you got some experts and consultants who are helping with the projects?
Tom Andersen: Marcus Waters, he’s a screenwriter and teacher at Griffith University here. We’re actually meeting him today and tomorrow and going over a bunch of stuff.

Jane Storm: What has the support been like from places like Screen Queensland and Screen Australia?
Tom Andersen: Everyone has been great and very supportive. You know, film’s not so hot here right now, so they’re excited to be getting a film over here. Everyone has been great, which is a lot different from the states.

Jane Storm: Why do you think that is?
Tom Andersen: It helps that I’m Australian too, us Aussies love to back each other. Another thing is I’m bringing home a good story with top Hollywood people. And it’s different, with all the remakes and sequels, it’s different. Everyone is excited to have a breath of fresh air.

Jane Storm: What made you decide to shoot the film specifically here?
Tom Andersen: It's an Australian story about Aboriginals; it's not going to work in Canada.

Jane Storm: No, I meant why on the Gold Coast, out of the whole of Australia?
Tom Andersen: Because I'm from here, I love it here. And the town that the story is set, it’s on the beach and I love Queensland. I want it here.

Jane Storm: Did the facilities help drawing you here? I know the studios have quite amazing capabilities. James Cameron’s Sanctum just wrapped filming here and the Narnia entry.
Tom Andersen: We’ve already had photos sent to us of different locations we’ve fallen in love with. There are some cool areas along the beach and we had some photos sent to us this morning and we saw that and were like `holy hell, that’s perfect’.

Jane Storm: With the cast, have you got that picked out and underway?
Mark Redford: No, we just have a wish list.
Tom Andersen: We’re just going to wait on that right now. We would like to cast Australians, established Australians.
Mark Redford: I would like to do another nude scene but other than that…

Jane Storm: (Laughs) What’s the budget?
Tom Andersen: Around $25 million. This is mainly a research trip, give Todd an education, get our feelers down and meet our producer. We have Mike Lake on board so we’ll be having a chat with him. We’re just flying our soldiers in and getting them ready to go.

Jane Storm: Now Todd, you were one of the key people behind trying to get Halloween 3D up and running and you worked on My Bloody Valentine, which was my first 3D experience and one I must say I’m a huge fan of. What is it about 3D that lends itself so well to the horror genre?
Mark Redford: I like it for a number of reasons; I like the rollercoaster aspect of it. There's a couple of ways to do 3D; there's the gimmicky, in-your-face way, which we were not afraid of in My Bloody Valentine. There’s also the Avatar version, which is the more voyeuristic, immersion-type where you are sucked in. But the truth is, you’re going to get that anyway with today’s 3D and you saw it yourself with Valentine and other 3D movies that you see, you’re literally inside. But with a horror movie, you’re even closer to the scares and the action. So I like that, the risk is that because we had a lot of success with Valentine and there’s been a lot of success with other movies, because of that everyone jumped on the 3D bandwagon and the problem is a lot of 3D has been rushed with the conversion process and a lot of the stories. I think at the end of the day it still has to be about the story, it still has to be about telling that story and you have to shoot good 3D. We will be shooting everything in 3D, we won’t be converting. We will be doing everything we did with Valentine and Drive Angry. I think as a result of that, especially here with all the sweeping vistas and the land, it’s going to look quite remarkable.
Tom Andersen: It’s a tool to telling a good story. There are a lot of crappy stories that are hoping to get by on their 3D and it’s a marketing gimmick. And it is, it’s a good marketing ploy for sure, but we’re using it as another tool to tell a really cool story.

Jane Storm: You guys have an awesome crew on board with the producers, composers, concept artists, is this a very exciting process, for it to be so early on and have such a great team already?
Tom Andersen: Exactly, that’s why I did it because I knew to pull this off I had to have the best around me. And I’m in Hollywood with the best so it was just a matter of pull. Everyone realises it’s something unique and who doesn’t want to come to Australia and make a movie, right? `Come to paradise with really cool people, really beautiful beaches!’ That was my lure and then it was just about building a good team. I think it’s like building a house and my foundation is strong, so you’ve just got to keep moving up.

Jane Storm: Have you made any decisions about the director yet?
Tom Andersen: We want Patrick Lussier.

Jane Storm: Right, because you and Patrick have worked together quite a lot on My Bloody Valentine, Drive Angry and Halloween III is it?
Mark Redford: Yeah. Patrick and I will write it together and depending on how the system works down here and what we can bring and what we can't...
Tom Andersen: -because we’re going after the 40% (producer) offset.

Jane Storm: Oh, that explains the caution; they can be really dicky with that.
Mark Redford: It will also depend on his schedule in the states because he is working on Drive Angry to the end of the year and then there’s another project we may end up working on which won’t affect me for this, but it might affect him.
Tom Andersen: A couple of things, he’s my first choice for a lot of reasons; he's an amazing editor, an amazing director and in 3D he’s very experienced. You want the best.

Jane Storm: With the general story idea, what was the appeal with…well, you haven’t gone for a standard slasher flick. Instead you’ve gone with the whole mythical and supernatural take?
Tom Andersen: Because it hasn’t been done before.

Jane Storm: It hasn’t?
Tom Andersen: It’s original. I’m very picky about movies and I’m very in tune with audiences and that’s why Paranormal Activity did well because everyone wants something different. It’s just the same stuff repetitive, sequels and presequels, and this is different. It hasn’t been done before. Then I looked at the 3D aspect of seeing Aboriginal culture in 3D and how amazing would that be? There’s a lot of people that say `oh wow, you’re from Australia, I would so love to go there’ and they’re never going to get here so now I’m brining Australia to them. In 3D. So, it will do well just for that appeal alone and then everyone loves to be scared.

Jane Storm: And it has so much potential too, the horror twist on Aboriginal legends hasn’t really been done. Well, I guess Prey but that was terrible. So, it hasn’t been done well yet.
Tom Andersen: Yeah, and we were saying Australian films have a very sort of independent feel and as far as Australian stories go, this is going to be very different. It’s going to be structured very different.

Jane Storm: Now this is more of a general question, but what is the key to writing a decent horror film?
Mark Redford: I think at the end of the day it’s about…I’m still scared of everything, which helps, and for me it’s always been about taking everyday life and throwing a twist into it. Certainly we did it with My Bloody Valentine. You take these ordinary people and you put them in a situation where the audience can relate to them and I think if you can do that…that’s another reason Paranormal Activity worked so well because you watch the movie and think `what if that was me?’ So, as long as the characters are first, as long as they’re relatable, they can be as unique on screen as they can in a person. I started in the horror genre because when I started, that’s what you did, that was how you broke into the business. So, back then it was just Miramax and New Line, those guys making horror movies and then Scream came out and that kind of blew the lid off everything and we were all a part of it. Now everybody has a genre department and what ended up happening is the same thing that I think will end up happening with 3D; a lot of people were making horror and some of them were horrible. I think as long as you put the characters first, as long as you put the story first, as long as you keep the momentum of the story, then the rest is about creating situations that scare you as a writer.

Jane Storm: Both of you seem like really big fans of the horror genre. What is it about it that you love so much?
Tom Andersen: I love the rollercoaster ride. You go to the movies and you want a thrill, you want to leave going `wow’ and that’s what I like about it. You know, I don’t like torture, gore, blood and guts, I don’t want to look at that. I want a rollercoaster ride where I’m scared and where you’re trying to solve it…like The Sixth Sense. I think that was perfect. I loved that twist and you think you have it figured out, but you can watch that movie three or four times and always see something different. There’s suspense, I love that about it. That’s what I want for this, rather than `oh look, someone’s dead and their guts is everywhere’. Obviously that will be in there, but there will be a reason, not just insanity. Mark Redford: I just like scaring people.

Jane Storm: (Laughs) Out of all your projects Todd, what would you say is a favourite of yours? Which is your baby?
Mark Redford: At this point, Drive Angry, which will come out 19th of February, we just wrapped it. The reason I like it so much is because what we wrote is what we were able to shoot. You know, Jason X changed a little, The Messengers changed a little, the others have changed, but Drive Angry didn’t. So we’re hoping for the same thing here, we write this and then we can go shoot.

Jane Storm: I saw the bloody car from Drive Angry that you posted on your blog, it looks awesome.
Mark Redford: Yeah, that was Gary (J. Tunnicliffe), the dude is just remarkable. He’s killed me more than anyone else and he’s really the only one I would want to.

Jane Storm: So what’s the rest of the schedule like for you guys? What’s the next step when you go back?
Mark Redford: I dive in and start making the magic.
*my phone starts ringing* Mark Redford: Nice ring tone.
Jane Storm: Thanks, nothing like a bit of Wu Tang Clan (Kill Bill Theme). Sorry about that. Okay, so the next question I have to ask you is, please don’t be offended, but a friend of mine wanted me to ask you what shrooms were you on when you put Jason in space? Mark Redford: The big ones, the big yellow ones with the hairs. (Laughs) Okay, it’s funny because Michael De Luca was running New Line at the time, the guy who green lit Jason X, and he read the script and loved the script. So, that’s what we went in and pitched; Alien and Aliens, a combination of the two movies so that you take those actors and the aliens and you pull those out and then you have Jason with a real crew, ghetto, raw, no slapstick in-your-face jokes. It was just a very dirty movie, dark and dirty. Then Scream came out and suddenly everyone wanted everything to be tongue-in-cheek, so things changed as a result. But it’s funny now because De Luca is producing Drive Angry and what we like about him is he was like `Jason X was a great script, what happened?’ Now a lot of people still love Jason X, a lot of people hate it, my excuse is, well, I wrote what I wanted and maybe that didn’t get made, but it bought me an Audi. But I loved Alien and I love Aliens, and I still think that someone will take another scary movie into space.

Jane Storm: When you say take another scary movie into space, do you mean the slasher genre?
Mark Redford: Yes, I don’t understand why a slasher can’t…I mean, I know slashers have gone into space and I know one can, why couldn’t it? It’s all about production value and it’s all about story, and so far those two have not made it into space from some sort of slashers point of view. It’s just a matter of time. If Kevin (Williamson) had written Scream in space it would have worked, that was fantastic. They better do a good job on Scream 4, I see him tweet about it all the time. You following him?
Jane Storm: Yeah, I was so pissed off last fortnight when he was doing a give away of signed posters and our work computers are so slow that even though I had the right answers, I would miss out because it wouldn’t update before all the crazy Americans who answered a second after. Mark Redford: I saw it way too late, otherwise I would have tried to.

Jane Storm: (Laughs) Oh come on, you would be able to get a poster from him, surely?
Mark Redford: No, he wouldn’t give me a free poster. He’s honestly a really nice guy though.

Jane Storm: Finally, this is a more general question, but what are some of your favourite films? Whether that’s horror or whatever?
Tom Andersen: The classic ones like Jaws, Alien, The Sixth Sense and all of the different elements in those. I like the hunt, the twists, you think you know what’s going on but you don’t. What I like is that people could know what’s going on, and they’re given the signs, but they see what they want to see.
Mark Redford: Oddly enough some of the same movies; Alien and Aliens, Jaws was the first movie that scared the crap out of me, The Exorcist I saw next and both of those movies influenced me, and Star Wars on a how to tell a story level, especially The Empire Strikes Back, those were, granted, big fantasy movies but as far as the mythology and linear story structure, those were pretty incredible. It was Quentin Tarantino that taught me to actually break the rules a little bit and go outside the Hollywood system, write outside the Hollywood system, and create characters that were interesting and didn’t fall into the norm. I don’t have a favourite movie, I get asked all the time, but it’s literally a lot of great movies.

Jane Storm: What else do you have to do before you can get back here and film?
Tom Andersen: We’ve learnt a lot on this trip. Now we’ve got to get the script down and tight, we want to make sure it’s good and not rush that because you only get one shot. Then just hit it.

Jane Storm: Fantastic, well that’s pretty much everything I have to ask you guys. If you don’t mind we’ll head out and get the pic taken soon?
Tom Andersen: Yeah sure.
Mark Redford: I sent you a really creepy tweet when you arrived.

Jane Storm: (Laughs) Oh really? Awesome.
Mark Redford: I wrote `I’m looking at you right now’.

Jane Storm: (Laughs) I love it!
Mark Redford: That’s creepy, it was when you were walking in right then.

Jane Storm: I love how you are so interactive with your fans online and getting content out there.
Mark Redford: Well, it has got me into trouble. Hollywood doesn’t want you to tell the things that I sometimes tell. They certainly didn’t want me telling the Halloween 3D story. It didn’t get me into trouble, they just didn’t like it. But there’s nothing they can do about it.

Jane Storm: It probably got you a lot of respect from people as well.
Mark Redford: I think from the fan base perhaps.

Jane Storm: The Bloody Disgusting guys were on to it.
Mark Redford: Yeah, but they always shoot it straight anyway and that’s why I like them. That’s why I like Brad and those guys. I don’t like rude behaviour, even from a studio.

Jane Storm: Yeah, I’m a big fan of Bloody Disgusting because they cover everything. They don’t just look at the big, commercial horror films, but they give time to the independent, small-budget and foreign language stuff that you wouldn’t know about otherwise.
Mark Redford: I trust those guys because if I know they like something I know that it’s worth my time. Everybody’s opinion is different, but I trust their judgment.

VIA Tom Andersen talks about horror, 3D & pissing Hollywood off

VIA Miss Universe Australia 2011 Updates - The 10 finalists of Sydney were chosen. They will advance to compete in the national finals in July 2011

Tropfest 2015 | Gold Coast | Australia

And no, unfortunately that isn't as dirty as it sounds. The world's largest short film festival, the Movie Extra Tropfest, is on again this weekend and by some beautiful sign from the Gods, it's coming to the Gold Coast. I know what you're thinking; `so what? I don't live on the Gold Coast.' But for those of us who call the cultural vacuum home, having an event like this each year is a glorious reminder that yes, there is artistic expression and free-thinking individuals somewhere. Rejoice!

The festival is one of Australia's most iconic cultural events and has grown from humble beginnings in the early nineties at the Tropicana Café in Sydney, to what is now the largest outdoor short film festival globally. Out of thousands of films that entered, the 16 finalists will be screened on Sunday night with the 14 finalists in the Trop Jr category playing in the afternoon.

The finalists are broadcast nationally to a live audience of more than 150,000 via simultaneous satellite broadcast in Sydney, Melbourne, Adelaide, Hobart, Canberra, Brisbane, the Gold Coast and Perth. A fantastic opportunity for up and coming filmmakers, the top entrants compete for prizes worth $150,000 across several categories.

Tropfest festival director John Polson, who also directed the Russel Crowe-starring film Tenderness (for those of you playing at home)
Festival director and founder John Polson says watching the entries is the best part of his job, but choosing the final 16 is the "the toughest''.
"This year's line-up encompasses an incredible, entertaining and thought-provoking mix of comedy, drama, animation, documentary and even mocumentary,'' he says.
"There are some familiar faces amongst the 16 finalists, including some past Tropfest finalists, but it's also great to be able to showcase some of Australia's best, new filmmaking talent.''

The flick I'm, er, rooting for is Testicle, an animated short film from a duo in Queensland about a baby born with one testicle. You've got to admit, it's pretty ballsy *insert face slap here*. The festival highlights will also be broadcast live on the Movie Extra Channel. If you feel like you're missing out, never fear because Tropfest is a global event and the New York leg is one of the biggest so I suggest check out the website here for all the details on a Tropfest near you.

VIA The Largest Outdoor Short Film Festival — Tropfest 2015

Unfortunately, most Australians have not had the privilege of visiting these special places. Such a visit radically expands a person’s understanding of Australian history as something that goes much, much deeper than our shallow, colonial roots of the last few hundred years.

To reinforce this broader understanding of identity and heritage, archaeologists, chemists, geologists, and physicists from the universities of Melbourne, Western Australia and Wollongong, Archae-Aus consultancy, and the Australian Nuclear Science and Technology Organisation launched a 3 year project across the Kimberley to date rock art using an astonishing variety of scientific techniques.

In 2014 the team was privileged to begin work along the King George River in Balanggarra Country, and has continued this year along the coast of Dambimangari Country.

The work involves careful study of the rock art and its associated cultural context and then taking very small samples mostly of mineral crusts, mudwasp nests and organic material growing on rock surfaces, for laboratory analysis.

These materials may also degrade the art itself over time, so understanding their formation will help guide future conservation and management practices.

No rock art dates are available yet – though indications are that some rock art is very recent, while other rock art traditions may be tens of thousands of years old.

These dates will help demonstrate to the outside world the depth and range of Kimberley rock art, and build the case for it to be recognised with World Heritage Site status.

These dates also help disprove false claims that some Kimberley rock art was not made by Aboriginal people.

To properly date and understand Kimberley rock art will take many years, but the Rock Art Dating Project team are confident the results will help grow a national pride and respect for this intellectual and cultural achievement made and looked after by Aboriginal people.

Source: Science Network WA [July 07, 2015]

Doll in Yellow

Developed by Showpony Adelaide to draw attention to the alarming number of bowel cancer related deaths in Australia and to encourage individuals to get themselves tested.

Category: Charities & appeals;
Client: Jodi Lee Foundation;
Agency: Showpony Advertising;
Country: Australia;
Creative Director: Parris Mesidis;
Art Director: Jonathan Pagano;
Copywriter: Parris Mesidis;
Photographer: Liam Salt;
Illustrator: Shane Bevan;
Finished Artist - Manuela Ortiz.

The Jodi Lee Foundation

VIA The Doll in Yellow

VIA FHM Australia

Federal Environment Minister Greg Hunt has told Fairfax that he believes the Budj Bim landscape – stony rises from Mt Eccles near Macarthur to a prehistoric aquaculture system on Lake Condah and south to Tyrendarra wetlands – was an outstanding site that had the potential to achieve World Heritage status.

He has invited the Victorian government to complete an independently audited assessment to prove compliance with world heritage values.

If that showed there were "recognised outstanding universal values, then I would be delighted to propose this as a tentative item for listing by the World Heritage Committee", he said.

The Victorian Premier, Daniel Andrews, has written to Mr Hunt stating the Victorian government's full support for listing Budj Bim, and has forwarded a peer-reviewed study by leading scientists and archaeologists that finds the landscape is of international significance and that the criteria for listing is fully justified.

Budj Bim – the Indigenous name of Mt Eccles which produced the lava flow that was settled by the Gunditjmara Indigenous people thousands of years ago –  is already on the Australian National Heritage Register.

World Heritage listing would elevate it to the status of the Great Barrier Reef, one of the 19 Australian sites currently receiving international protection.

The Gunditjmara are considered unique in Australia. They lived in large villages constructed of stone huts and harvested eels and fish in a sophisticated network of weirs and traps, dated to at least 6600 years ago, that meant they had no need of a nomadic lifestyle.

The Gunditj Mirring Traditional Owners Aboriginal Corporation, backed by teams of archaeologists, historians and independent heritage experts, having been gathering evidence for a decade to support the nomination for UNESCO World Heritage listing.

Author: Tony Wright | Source: The Age [June 05, 2015]

Ah I don’t know what has gotten into me lately – I have been blogging like a mad woman! At least two posts a day for the past weekish. There are stints when I find little to no movie news or reviews that interest me but lately... lately there has been tonnes. Dawn French tonnes. If there hasn’t been a new cinema-plex opening or a new movie worth reviewing, then there’s hordes of news which interests me and I want to write about it. I’m hoping this post will satisfy my insatiable urge to write blog posts at the moment and I intend to have at least a day break after this. But seriously, I just HAD to give you the run down on some up and coming new releases. I had a YouTube binge last night and caught up on a bunch of trailers I hadn’t seen and rewatched some I had. Anywho, here’s my selection of MUST SEE movies for the months of June and July.

James Gray, how do I love thee? Let me count the ways. Nay, let me count the films; Little Odessa (digged), The Yards (blew my freakin' mind), We Own The Night (adored). Now we have his latest offering and Joaquin Phoenix’s alleged last foray in to acting, Two Lovers. The theme of love and the dark comedic elements are new features in a Gray film which has previously dealt with family relations and crime. However, Two Lovers does look like a splendid adult-drama with a juicy cast. It was released in Australia last week but won’t be screening on the Gold Coast until this Thursday (if we’re lucky).

Looks like this little gem from the director of Old School is shaping up to be the surprise comedy hit of the year, but it’s still early days. The trailer is hilarious and in the US it opened to a $46 – $53 million weekend ahead of the Will Ferrell blockbuster Land of the Lost. The critics are frothing for The Hangover too with the almighty Empire giving it four stars. Pretty impressive for a comedy-formula that seems tired. Apparently one of the many benefits here is instead of covering the dramas of a bachelor party, The Hangover starts once the party is over and the three mates have lost the groom (and their memories). Sounds a like a frat-pack version of Memento but the trailer is very appealing, plus Bradley Cooper is great in pretty much anything he’s in.

Try and ignore the controversy if you can, but you simply cannot ignore the brilliance of the Bruno trailer. There are few times I have laughed so hard during a trailer. I enjoyed Borat but from the snippets of Bruno I’ve seen, I think Sacha Boren Cohen’s latest character will trump him. The best recommendation I can give this movie is the trailer, I particularly love the African American scenes.

Everytime I watch this trailer I get goosebumps. Whether that's because the trailer is actually good or because I'm a massive fan of the books, it's hard to know. I do know this, this movie begins to build towards the Harry Potter series climax which will come to life on screen in the from of Harry Potter and the Deathly Hallows Part 1 and Harry Potter and the Deathly Hallows Part 2 (to be released six months apart respectively). I’ve never been a huge fan of the films but the last two have certainly improved my expectations dramatically and this looks Potteriffic.

Easily the film I’m most excited about on this list. Long before director Sam Raimi did the Spiderman films he dominated the horror genre with his Evil Dead series (among others). Apparently Drag Me To Hell is a hilarious and horrific return to form for one of the genre’s heroes. It premiered at Cannes and since then has got rave reviews from every Tom Dick and Harry film critic. Horror is one of my favourite genres but recently there have been only a handful of decent films. Going off the trailer, Drag Me To Hell looks like an awesome ride and I can’t wait to be genuinely scared at the movies again. Its been too long.

I know, it’s hard to get past the vomit-inducing movie poster complete with Abigail Breslin and Cameron Diaz looking cute. My Sister’s Keeper has been a long awaited adaptation of Jodi Piccoult’s best selling novel. I heard great things about the book and was sincerely disappointed upon finishing it. The book was drawn out, self-indulgent and overly soppy. To my surprise, the trailer looks like its done a much better job of compacting the themes and storyline of the novel. Cameron Diaz looks like she’s about deliver a stellar performance but one of the major reasons to see this film has to be Sofia Vassilieva. Here she plays cancer-ridden Kate but most of you would recognise her from tv’s Medium. She’s a superb little actress and I look forward to seeing this movie despite the misleadingly happy poster (when really this is a film about cancer, death and family relations).

That Land of the Lost shiz is out this Thursday too and as much as I love Will Ferrell, I don’t think I can sit through two hours of him trying to do a Brendan Fraser in Journey to the Centre of the Earth. There’s this other movie you may or may not have heard of, Transformers something? Transformers 2, that’s it. The Bayhem hits screens on June 24 which is, like, so soon for the fanboys patiently waiting. Ew.

p.s. Mickey Rourke’s turn as Russian baddie Whiplash certainly makes Jack Sparrow look straight as a ruler. This, dear readers, is the latest image off the set of Iron Man 2, the sequel to the Robert Downey Jr hit of `08. Rourke stars as the thorn in Tony Stark’s metallic side for the sequel along with Sam Rockwell as Justin Hammer. This is the first look at Rourke as Whiplash and was pointed to off Jon Favreau’s Twitter account. I must say, the get-up is a bit... erm... campe? With Scar-Jo in leather as Black Widow and Rourke rocking the bondage, it seems the sequel will be catering to all fetishes. Bunuel would be proud kinky has gone so mainstream.

VIA Two Lovers, The Hangover, Bruno, Harry Potter, Drag Me To Hell, and My Sisters Keeper

House in Seattle, Washington, USA

This mansion was designed by Peter Cohan Architect in 2008 and built in Seattle, Washington, USA. The house located in an area with high rainfall, it's formed by two concrete walls and a sloping roof, directing rainwater to three tanks for storage and subsequent use in the home.

VIA «Smart House in Seattle, state of Washington»

Vampires are, like, so hot right now given the popularity of The Twilight Saga and television shows True Blood and The Vampire Diaries. But if you are concerned vampires have lost their bite, never fear, Daybreakers is here. Set in the not-too-distant-future, 2019, a plague has transformed most humans into vampires and the dominant species is facing a dwindling blood supply because, well, they ate everyone. Enter Edward Dalton (yes, another vampire called Edward*) played by Ethan Hawke, who may have found a solution to the `vampire plague' after conducting research with a covert band of humans.

Written and directed by wunderkinds Michael and Peter Spierig, known as the Spierig Brothers, there is no doubt they are Australia's next big Hollywood export. The plot combines elements of the zombie and vampire genres, while being a timely allegory on the precious natural resources. Comparisons to The Matrix and 28 days Later are not unfounded, with Daybreakers exceeding the usual cliche constraints of a horror film.

The Spierig Brothers have clearly been influenced by the greats, like George A. Romero, as there are some very Dawn of the Dead-esque moments toward the end. The cinematography is sharp, action scenes superbly choreographed and there is such a loving attention to detail fanboys around the world will be getting wet over the Spierig Bros.

A tense ride for the most part, comic relief comes in the form of Willem Dafoe's character Lionel `Elvis' Cormac who is a like a cross between a bounty hunter, Woody Harrelson's character in Zombieland and Billy Ray Cyrus. In particular there's one scene when Dalton asks Elvis if he's safe in the human lair and he replies "bout as safe as going bareback with a $5 whore." Gold.

The humour is threaded thickly throughout the film and the Spierig's have their tongue so firmly in cheek, you think it may burst out the other side like a gloriously gorey moment in the film. One of the most enjoyable horror outings in recent years, Daybreakers is no pain in the neck.

VIA "Daybreakers is no pain in the neck..."

Entrust repair to professionals!

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Planking is a craze for taking photos of people lying down in unusual places and then posting them on the web.
Game on: Planking during a game of golf
A spokesman for the fan page - which was only set up in the past fortnight and which we cannot name for legal reasons - defended the past time.
'For most people, it's just a bit of harmless fun,' he told the York Press, declining to give his name.
He said the group did not condone people planking in dangerous spots, but added they could not be held responsible for anyone who chose to do so.
'However, we have decided to regulate the site now and remove some of the pictures,' he said.
'We have blocked access [to the Facebook profile] to about 800 people under 18, as they might be easily influenced and put themselves in danger.'
Risky: Participants taking part in the craze lie face down in a tree
The page has already attracted nearly 3,500 'likes' on Facebook.
Fans have posted pictures of themselves on the page planking in locations including on top of nightclub soundsystems, on cars and on bales of hay.
The youngster allegedly pictured planking on the rail tracks was arrested after police received calls from members of the public identifying him.
A spokesman for the British Transport police said: 'After the pictures were brought to our attention, we launched an investigation to identify the male involved.
'We would like to thank members of the public who came forward to identify the boy pictured, who was extremely lucky he wasnt killed or badly injured as a result of his behaviour.
What a plank: Gordon Ramsay posted up a picture on his Twitter of himself trying out the latest internet craze of planking
'This was very dangerous behaviour. With high speed trains and electric currents, the railway should never be treated as somewhere to play or hang about. When people are spotted on the railway trains are alerted, which causes disruption and delays.
'People who trespass on the railway are not just risking a court appearance, they are taking a gamble with their lives.
'The last thing our officers want is to have to tell a mother, father or another family member that their loved one has died after trespassing on the railway.'
She confirmed that this was only the second incident of 'planking' on the railways in the UK and the first arrest.
In recent months, planking has become a worldwide craze - even celebrity chef Gordon Ramsay has posted pictures of himself doing it online.
Tragedy: Simon Hallam was left fighting for his life after a planking stunt gone wrong
But the phenomenon has already led to tragedies.
Last month 20-year-old Australian Acton Beale died after he fell seven storeys from the balcony railing of a block of flats.
Days later, also in Australia, plasterer Simon Hallam was left fighting for his life after falling and hitting his head while planking on the boot of a fast moving car.
source : dailymail

VIA Teenager charged with trespassing on railway - after planking photo ends up on Facebook

Luxury Restaurant in Sydney

Sean Kitchen — the project of studio BEE Design opened in September, 2008 in Sydney.
The head cook and owner Sean Connelly (the Winner of popular competition head cook Sydney Morning Herald in 2007) supervises over this dynamical restaurant.

Sean Kitchen by Sean Connelly

The restaurant consists of the several zones named “contact points”. In each of such zones various variants of a delicatessen and a decor that gives possibility to diversify the menu in the same institution, at invariable quality of service. Zones are named: Tapas Bar, Ocean Shelf, Patio Bar and Lounge.

Restaurant in Sydney (Australia)

The restaurant on 300 places, with the Mediterranean interiors perfectly combines in the interior earthy shades red and brown with sharp illumination.
However the most intriguing aspect of a premise is the openness of area for cooking of the dishes, allowing to observe skillful masters of culinary arts in work and all movement of the kitchen personnel.

VIA «Sean's Kitchen Restaurant»

Julian McMahon

Okay, lame title, I know. But serioulsy, there's only so many Gold Coast Film Festival related titles you can write before you hit wall. Sigh, I digress. The festival opens tonight at the Birch Carroll and Coyle Cinemas Australia Fair and there’s a huge line-up of stars coming along for the opening night. Leading the charge is Nip/Tuck star Julian McMahon (above), who is in Queensland filming shark action-thriller Bait 3D. McMahon forged a career in Australian television before he broke into Hollywood as Cole Turner on hit TV series Charmed and roles in the Fantastic Four franchise and RED.

McMahon's Bait 3D co-stars Xavier Samuel and Sharni Vinson will also be at the opening night, along with director Kimble Rendall. Samuel was most recently seen in The Twilight Saga: Eclipse and Aussie horror flick The Loved Ones, while Vinson had success as the lead in Step Up 3D. They will be joined by Tomorrow, When The War Began stars Lincoln Lewis and Phoebe Tonkin, and other Australian actors including John Jarratt, Dan Wylie, Adrienne Pickering, Cindy Nelson, Francesca Gasteen, and Alex Russell, star of the opening night film Wasted On The Young.

However, it is not just big name actors who are attending, with a who's who of international industry professionals. Along with Hollywood horror screenwriter Todd Farmer (My Bloody Valentine, Jason X), will be producers Chris Adams (Syriana, An Inconvenient Truth ) and Steve Kearney (Jucy) , the founders behind industry consultation company Adams Kearney. Local guests include Oscar-winning special-effects whiz John Cox, producer Chris Brown (Daybreakers, The Proposition) and Emmy-award winning make-up effects artist Jason Baird.

I will be on the read carpet chatting to all of these lovely peeps and I’m off to chat to a few of them at their hotel now, so, keenly stand by for the latest and greatest dets from the festival.

VIA Open Wide, Movies Inside

Navy lark: The celebrity chef was stirring up trouble onboard as he joked around and pretended to throw a pal overboard
It wasn't the only larking around the father-of-four did either in true 'embarrassing dad' fashion.
At one point, he pretended to try and throw a friend overboard, and he came back completely sunburnt.
He wrote: 'Catch of the day ! Lobster three ways !!! Face, Neck, Ears , burning like hell I used. X Factor 50 !'
All at sea: Despite slapping on the Factor 50, Gordon's skin was nicely roasted when he arrived back from his Father's Day fishing trip
Reel-y good time: The sweary chef had gone for a day's deep sea fishing in the Pacific
Perhaps he should stick to what he is undeniably amazing at - cooking.
For the uninitiated, planking sees people lying stretched out flat in the most unlikely of public places, then sharing their poses on social media sites like Twitter, Flickr and Facebook.
Aficionados - generally youngsters - are required to lie expressionless with a straight body, hands by their sides with toes pointing into the ground.
The phenomenon caused alarm last month when an Australian practitioner was killed trying it on a balcony in Brisbane, but falling to his death instead.
Pondering the deep: What is Gordon contemplating for his next online-inspired shenanigans? Posting up a video of himself singing Rick Astley's never Gonna Give You Up?
Setting sail: The Michelin-starred gourmand was joined by friends for his skin-frying voyage to catch supper
The victim, a man in his 20s, fell while a friend photographed him, according to police.
However, the fact that craggy-faced chef Ramsay thinks the practice is now cool is more likely to put youngsters off trying it than anything.
According to the BBC, two groups claim to have invented the prank, either in Somerset in 2000 as the 'lying down game' which went online in 2007, or in South Australia the year after where it became known as planking.
Both groups have rival Facebook sites boasting more than 100,000 fans - but maybe a few less after people see the swearing celebrity chef at it....
source : dailymail

VIA RIP 'planking': Internet craze officially dead after Gordon Ramsay tries his hand at the latest online fad

VIA UNEARTH turns Darkness Into Light

VIA The blushing bride

These pictures are the first sightings of five month old Faith with the rest of the family.
Australian actress, Nicole, 43, was dressed in a pair of olive green trousers a patterned blouse, burgundy jumper and dark jacket.
Singer-songwriter Keith kept things casual in jeans and a T-shirt and donned a baseball cap for the travel.
Both little girls were dressed in white and Sunday Rose wore her hair in two side plaits.
What a good girl: Although their newest addition to the family is just five months old Faith was well behaved as the family headed to the plane
Earlier this month Keith was honoured with a star on Nashville’s Music City Walk of Fame and was joined by his wife to celebrate the unveiling of his plaque.
The couple welcomed the newest addition to their family Faith Margaret in December who was born by surrogate.
Speaking about the experience Nicole said: ‘Having given birth and then being there to see my child born in that way, I felt so much love for our surrogate, gestational carrier.’
Red carpet glamour: Nicole looked stunning in black as she and Keith attended the Billboard Music Awards
The Academy Award-winning actress also explained that she uses the term ‘gestational carrier’ as opposed to ‘surrogate’.
Speaking to Australia’s 60 minutes Nicole explained: ‘We were trying to be accurate.
The term gestational carrier is used if it's your biological child and if it isn't, then you use surrogate. I mean, who knows what it is. But she's the most wonderful woman to do this for us.’
source: dailymail

VIA Beautiful babes in arms: Nicole Kidman and Keith Urban carry their pair of gorgeous girls as they jet out of LAX