It doesn't matter how big your house is (even if it's the size of this one), how much it costs or even how much you are worth — the same rules for tree felling apply to everyone.

We're not just talking about the mechanics of lining up a cut and making sure it doesn't drop into your 24ft luxury swimming pool either, there is more to removing a tree than meets the eye.

The above will not make pleasant reading for a lot of property owners, who will have been looking for an excuse to fell a cumbersome tree on their land for years. Yes, they can add privacy, but they can also prevent development whether this is in relation to your garden or the house itself.

Therefore, if you are looking to rid your land of a troublesome tree, read on. The following checklist has been put together for any UK homeowner out there, but it's very likely that the same rules apply for most countries.

Rule #1 — Are you even allowed to fell the tree?

First and foremost, it’s all about legalities. You might own the most exclusive plot in town, but that doesn’t mean to say that you can do whatever you please with the tree. The UK has thousands of Tree Preservation Orders (TPOs) and this means that permission has to be sought before you do anything that will drastically change the tree. The fact that this even includes pruning will tell you that most of the time, the thought of felling one is absolutely out of the question.

This is an occasion where bending the rules is pretty much unthinkable as well. It’s an offence to fell, or even do any work for that matter, on a tree protected by a TPO. Therefore, it doesn’t matter where you live, it’s generally not worth the aggravation and you’ll have to live with the tree for the foreseeable future (i.e., forever).

Rule #2 — Is it going to cause half your house to fall down?

In felling a tree, you also want to ensure that you don't fell your house. This might sound a bit over the top, but it really isn't. Additionally, we're not talking about the risks of the tree crushing your great big roof lights (although that's an obvious concern, as well).

Instead, we’re referring to the perils of subsidence. It’s an insurer’s worst nightmare and a lot of the time it’s related purely to the actions of the homeowner. Remove a tree anywhere near your home and you’ve just allowed an enormous amount of water, which the tree was previously using, to re-enter the soil and subsequently swell it. This can cause a whole host of problems and in the worst situations, it’s not been uncommon for houses to have to be rebuilt.

Rule #3 — Who will manage the whole process?

Once upon a time the only option would have been to take advantage of a professional tree felling service, as it simply wasn’t possible to source the specialist equipment on a domestic level. However, there are now numerous companies offering arborist clothing and machinery and this means that the DIY approach is entirely doable.

Whether you fancy getting your hands dirty is up to you. It will work out significantly cheaper to take this approach, although you’ll also have to factor in all of the calculations that are necessary when felling trees. On this note we should also remind readers that if you do get a calculation wrong, there’s every chance that one side of your house could be completely flattened. Therefore, make sure you read the appropriate literature before whipping out your chainsaw.

Rule #4 — What happens next?

No, this final rule isn’t like the famous part of ‘A Question of Sport’, but rather what is going to happen to the felled tree now? The answer to the above issue might have already covered it, as some companies will dispose of the tree for you.

However, if they don’t, you have a giant piece of lumbar in your back garden. Unless you need wood for your stove, it’s a nuisance to say the least. Moving it in one go is probably out of the question, while even sawing it up into tiny pieces will be too much for some. Unfortunately, it’s something else that has to be covered and this is exactly why, no matter what type of house you reside in, tree felling is never a simple topic and there is a boatload of planning required before even considering it.

VIA «Tree Felling 101 for the Lavish Property Owner»

Stolen-art expert Chris Marinello, director of Art Recovery International, said he has been shown photographs of items being offered from Syria that were "clearly looted right out of the ground".

"You could still see dirt on some of these objects," he told AFP.

They included cylinder seals, Roman bottles and vases, although Marinello said it was unclear whether the items were still in Syria, were in transit or had arrived in the key markets of Europe and the United States.

Concerns about looting during the Syrian war have increased following the advance of the Islamic State group through parts of Syria and Iraq, and recent propaganda videos showing their destruction of ancient sites such as Nimrud.

The UN Security Council in February demanded UN states act to stop the trade in cultural property from those two countries, amid warnings that they represented a significant source of funding for the militant group.

Experts say it is impossible to put a value on antiquities looted from Syria, which has been home to many civilisations through the millennia, from the Canaanites to the Ottomans.

The London-based International Association of Dealers in Ancient Art (IADAA) estimates the entire legitimate antiquities market in 2013 was worth between 150 and 200 million euros ($160-215 million).

Marinello said reputable dealers are "being very careful not to touch anything that could remotely be part of this recent wave of looting".

But Hermann Parzinger, an archaeologist and president of the Germany-based Prussian Cultural Heritage Foundation, said there was an "enormous market" from private buyers.

He warned that the cultural costs were huge, telling AFP: "The context which is so important to reconstruct the history of these civilisations is completely destroyed."    

Italy has proposed that world heritage body UNESCO create a military taskforce to protect cultural sites in war zones, but many experts believe little can be done to stop the current destruction.

Instead, they are forced to wait until the conflict ends and watch in horror as priceless historic sites are destroyed and the spoils gradually emerge onto the market.

Vernon Rapley, a former head of the art and antiquities squad at London's Metropolitan Police, expects many Syrian items to be held back to avoid flooding the market, as occurred after the US-led invasions of Iraq and Afghanistan.

The looted artefacts were likely to be "hauled up in warehouses either in the country or near the country, and only linked to the art trade in small pieces and at a later stage", he told AFP.

Stephane Thefo, who leads an Interpol unit dedicated to fighting the illegal trafficking of cultural goods, agreed that many items may disappear for years -- but insisted that tackling the trade was the best way to combat looting.

The French policeman would like to see tougher national laws on trafficking of cultural goods, something Germany is currently considering.

"We have to act by seeking to narrow markets for the illicit trade, hoping that by curbing the demand, the supply would eventually decrease," Thefo said.

Identifying looted objects is no easy task, however, not least because cultural crime is rarely a police priority.

The law puts the onus on the authorities to prove an item is illegal and a long delay in an artefact being sold, or multiple owners, make it hard to establish provenance.

At a conference at the V&A museum in London this week on the destruction of cultural property in conflict areas in Iraq and Syria, Mali, Libya and Yemen, archaeologists stressed the need for proper inventories of heritage sites.

They noted that objects that have been photographed and digitally catalogued are more likely to be recovered.

Interpol is currently building a database of stolen objects, and James Ede, a London dealer and IADAA board member, urged cultural bodies to share their information with dealers.

"This material will necessarily surface on the open market sooner or later. The challenge therefore is to identify it and where possible to return it when it is safe to do so," he said.

Author: Alice Ritchie | Source: AFP [April 17, 2015]

"The ongoing destruction of Palmyra's cultural artifacts reflects the brutality and ignorance of extremist groups and their disregard of local communities and the Syrian people," decaled UNESCO chief Irina Bokova, strongly condemning this new assault on Palmyra, a World Heritage Site, particularly funerary busts and the renowned Lion statue of Athena from the entrance of the site's museum.

"The destruction of funerary busts of Palmyra in a public square, in front of crowds and children asked to witness the looting of their heritage is especially perverse,” she said, explaining that the busts embody the values of human empathy, intelligence and honor the dead. They also represent a wealth of information on costumes, jewelry, traditions and history of the Syrian people.

“Their destruction is a new attempt to break the bonds between people and their history, to deprive them of their cultural roots in order to better enslave them, "she declared.

With this in mind, Ms. Bokova reiterated her call to all religious leaders, intellectuals and young people to stand up against the manipulation of religion, to respond to the false arguments of extremists in all media and through the #unite4heritage campaign.

"I commend the courage of the youth from the Arab world who are committed to protecting their heritage as a source of strength, resilience and hope in the future,” she said.

Finally, she called strongly on all UN Member States, the art market and experts to join forces to curb the illicit traffic of cultural property.

“I call on all researchers, artists, filmmakers and photographers to continue to cooperate and join forces with UNESCO to document and share the wealth of the Mesopotamian civilization. Neither bombs nor jackhammers can erase this great culture from the memory of the world,” she declared, adding that nothing can ever stifle human creativity - despite the obstacles and fanaticism, this energy will come back stronger than before, buildings and sites will be rehabilitated, and some will be rebuilt, and culture will find its place because it embodies the vitality of societies.

“UNESCO will continue to work with the people of Syria to make sure that moment comes as soon as possible,” the Director General concluded.

Source: United Nations [July 03, 2015]

The dealer, Subhash Kapoor, is now awaiting trial in India for allegedly looting artifacts worth tens of millions of dollars.

Mr. Kapoor operated a now-defunct gallery on the Upper East Side called Art of the Past. Prosecutors allege that between 1995 and 2012 he illegally imported and sold stolen antiquities from India, Afghanistan, Pakistan and elsewhere, often using forged documents to pass the items off as legitimate.

The U.S. Immigration and Customs Enforcement’s Homeland Security Investigations unit and the Manhattan district attorney’s office have together recovered more than 2,500 artifacts worth more than $100 million from the gallery and storage facilities in and around New York City.

Kenneth J. Kaplan, a lawyer in New York representing Mr. Kapoor, declined to comment Wednesday, but said his client had asserted his innocence both to him and to his counsel in India. Mr. Kapoor has not yet entered a plea in India, according to a spokeswoman for Manhattan District Attorney Cyrus Vance Jr.

The item recovered this week is a Chola-period bronze representing a Tamil poet and saint that dates to the 11th or 12th centuries, according to Brenton Easter, a special agent with Homeland Security Investigations. The statue, which stands nearly two feet tall and weighs more than 80 pounds, was allegedly looted about a decade ago from a temple in a village in the southeastern Indian state of Tamil Nadu.

The theft of the figure was “completely devastating” to the villagers, Mr. Easter said on Wednesday afternoon, as he stood by the open door of the van containing the relic parked on East 91st Street near Park Avenue. The item was smuggled into the U.S. labeled as a handicraft, and then offered for sale at Mr. Kapoor’s gallery on Madison Avenue.

In recent months some institutions that purchased objects from Mr. Kapoor have surrendered the items to Homeland Security Investigations. They include the Honolulu Museum of Art and the Peabody Essex Museum in Massachusetts.

In a statement, Honolulu Museum Director Stephan Jost said in April that “clearly the museum could have done better” with its past vetting of objects. Dan L. Monroe, the Peabody Essex Museum director, said in a statement that month that the institution has undertaken “a rigorous internal assessment of its collection and is working in full cooperation with the Department of Homeland Security.”

This time around, the stolen object was voluntarily surrendered by an anonymous collector who had been contacted by investigators about the piece. Officials said the buyer was considered a victim because the statue was accompanied by a false provenance, or ownership history, that predated its theft.

“We commend this collector for his conscious decision to return this stolen idol,” said Raymond R. Parmer, Jr., special agent in charge of HSI New York. “We hope that other collectors, institutions and museums will continue to partner with HSI, and to see this surrender as a successful way to move forward when dealing with artifacts that might be of concern.”

The agency has recovered at least six other sacred Chola bronzes that it anticipates repatriating to the Indian government.

In April, the Manhattan district attorney’s office filed papers in New York State Supreme Court seeking the forfeiture of 2,622 items seized from the gallery and storage units in Manhattan, Queens and Long Island. The items were worth $107 million, according to the summons. Among them: a statue from India valued at $15 million, a large bronze statue from Cambodia or Thailand worth $5 million and a large standing Buddha from North India estimated at $7.5 million.

According to the April summons, Mr. Kapoor and his gallery manager, Aaron Freedman, “engaged in a common plan and scheme to illegally obtain and sell stolen items of art and conceal or disguise the nature, source and ownership of the illegally obtained property.”

Mr. Freedman pleaded guilty in December 2013 to five counts of criminal possession of stolen property and one count of conspiracy, according to the summons. Prosecutors said the antiquities were forfeitable from Mr. Kapoor and his gallery as proceeds and/or instrumentalities of crime.

Author: Jennifer Smith | Source: The Wall Street Journal [July 03, 2015]

Since 2006, the birthplace of Prime Minister Narendra Modi has seen vigorous archaeological digs in pursuit of the 10 Buddhist monasteries Tsang described during his visit to Vadnagar some 1,400 years ago, recorded in his journals Hsi-yu Chi (Record of Western Countries). The efforts multiplied following the discovery of a nearly 2,000-yearold Buddhist monastery by Y S Rawat, director of the Gujarat State Archaeology Department — an excavation that was given the push by the then state government. Modi's tweet about the Gujarat connect with Buddhism in September 2014, ahead of Chinese premier Xi Jinping's visit to India, only increased curiosity about Vadnagar. Perhaps this is why, in 2013, the Archaeological Survey of India (ASI) took over from Rawat and started excavations this January. But, it isn't going to be an easy ride.

The Human Angle

Vadnagar has 45 villages, but it is the fortified area that forms Vadnagar town (in a 3.5-km perimeter area) that's the subject of curiosity.

The ASI is currently conducting trial excavations at three sites. One is near the Kirti Toranas — 40-feet high intricately carved towers representing victory over enemy built during the Kumarpal Solanki rule (11-12 century AD) — while the other two are in the Baba no Tekro Locality I and Locality II. These two sites are located on the banks of Sarmishtha lake, a landmark, and is part of the Vadnagar panchayat area. The land here is owned by both, government and as private owners. And, it's these two areas that the ASI believes, have the potential for significant archaeological finds.

Although a team of researchers have found remnants from the Solanki era dating back to 960 AD, they haven't yet discovered any Buddhist monasteries. Trial excavations, typically, entail finding out when the city originated and its expanse in ancient times viz a viz the present town.

In the last two-and-a-half months, says superintending archaeologist Dr Madhulika Samanta, the ASI has found about 150 coins from the 1-3rd century AD. The present fortification was built by Kumarapal Solanki (1143-1174 CE). "The main town of Vadnagar is situated on a high mound, created over a number of buildings that were built and destroyed during earlier periods, and the settlement has not outgrown the medieval fortification," says superintending archaeologist Dr Madhulika Samanta. This has led them to believe that much of Vadnagar's treasures could lie beneath the human habitation — as per the 2011 Census it had 27,700 residents.

This, locals believe, may pose challenges. A local, who is familiar with the excavations, said, "The land under which the Buddhist monastery was found was a vacant government plot surrounded by residential houses. We believe a lot of adjoining area needs to be dug up for further findings, but they are covered by homes. Vacating these houses can be a huge problem and cause unrest among people."

Expanding Horizons

Samanta says that a search for the remaining nine monasteries might have to extend beyond the current periphery of the historic town. "I believe Vadnagar was much bigger and more densely populated during the medieval period than it is now. The existence of 10 monasteries, within the fortified area is not possible as monasteries are mostly built on the periphery. We need to carry out excavations over large areas to be able to locate them."

But, she claims the district magistrate has failed to give permission for further excavations. "We have followed up with the collector since January. I met him on February 13 and have written to him four to five times but there is an inordinate delay. The ASI does not take land. We only excavate, document and return the land. If the land is owned by a private party, we compensate the owner. If it is government property, we do not need to."

Excavations may soon extend to adjoining villages. "We are setting up a tent at another village in a week. Excavation will be extended to the eastern and northern banks of the Sarmishtha lake," she adds.

While excavations are on, security for the discoveries is minimal. At the site where the Buddhist monastery was uncovered — along with a stupa, a courtyard, and several cells where the Buddhist monks are believed to have lived — there is no security, leaving the area vulnerable to vandalism.

For now, the ASI has hired family members of private land owners as labourers or security at the site of the trial excavations — mostly agricultural land. "We pay them for their services and use their land. The more the number of working family members, the more these families earn," she adds.

Sixty-two-year-old Mangaji Thakor, a farmer who has lent part of his land, sees profits in the deal. He said, "I earn about Rs 50,000 per year from agricultural produce. I am being paid Rs 222 per day for guarding excavated land in my field."

While the Thakors are counting the cash, not all Vadnagar residents share the joy. Kamlesh Patel, 37, says he used to run his scrap-dealing business on part of the land where the Buddhist monastery was discovered. Patel, who has now filed a case in the court, says, "I used to earn Rs 2.5 lakh each year from the business and have lost that much money each year since the land was taken. The state's possession of my land has ruined my 20-year-old business."

The Many Names of Vadnagar

The original town was a settlement of Nagars, a well-known Brahmin community of Banias. In the 7th century, Hueng Tsang visited Vadnagar, then known as Anandapura, and described it as a rich and densely populated city, affluent enough to support culture, arts, literature and religious centres of learning for Buddhist monks and Hindu priests. The town is also believed to have once been called Chamatkarpura, after its king was cured of leprosy after bathing in lake Shakti Tirth. Later, it came to be known as Anartapur and its warriors found mention in the Mahabharata. Vadnagar also has a Greek connect, as it is believed that the Nagars are descendants of Alexander's army who stayed back. In 1152 AD, the Solankis thwarted the Malvas attack and Kumarpal Solanki built the fort where the present population lives. After the Solanki period, the town faced attacks from the Delhi Sultanate, Marathas and Gaekwads.

Archaeological Intrigue

The ASI team that is conducting trial excavations at Baba no Tekro Locality I and Locality II in Vadnagar has found coins made of the alloy potin, lead and copper belonging to the Solanki period. They have also found seals that were used on coins of other kingdoms like the Deccan, which the Solankis had annexed. However, what intrigues them is an ash layer under the solid ground in the agricultural fields. "The ashy deposits are a metre deep. A huge area has been discovered entirely covered with ashy deposits one and a half meter below a mud floor and it is obviously built by humans. As lot of antiquities, bones of different animals and iron objects and leads have been discovered from this layer, but none of them are burnt or charred. It is an enigma," Dr Samanta says.

Author: Ojas Mehta | Source: Pune Mirror [May 01, 2015]

Hot property: Hunky Thom kept his hands on his hot girlfriend at all times
They were seen constantly kissing and cuddling as they lazed on the white sands and paddled in a crystal clear sea.
Model and actress Kelly, who was showing off her stunning figure in a plunging purple one-piece swimsuit, was seen larking around on the shore posing as her former rugby star beau Thom, 26, took some holiday snaps.
The pair also couldn't stop laughing as they took a stroll along the tideline - and passed a naked male sunbather who was clearly happy to let it all hang out.
Here's lookin' at you: The model took a more casual approach to posing for Thom than in her day job - but looked amazing regardless
Once they relaxed on the sands for a spot of sunbathing however, it seemed besotted Thom didn't want to risk closing his eyes to take a nap and kept his adoring gaze on Kelly at all times.
After announcing her pregnancy in March, Brook admitted it was unplanned but believed she had found 'the one' in 26-year-old Evan - a former teammate of her most recent ex-boyfriend Danny Cipriani.
She said: 'That is what happens when you are in love - you surrender to whatever is to be. It wasn't a plan, but if it happened, it happened. We were boyfriend and girlfriend.'
Fun in the sun: The happy-looking couple couldn't stop laughing when they passed a rather eager sun worshipper
However, they tragically lost their unborn baby girl after just five months of pregnancy in early May.
Since then, Kelly has kept a very low profile with barely any appearances in public.
She has been recovering at home in Kent with boyfriend Evans and her mother Sandra Parsons.
But following the disappointing summer weather of the last few weeks, it seems that a trip abroad for some proper sun was just the tonic that Kelly and Thom needed.
And as she reveals her sensational curves in the rays again, clearly, Thom won't be the only one of Kelly's admirers happy to see the star smiling again.
source: dailymail

VIA Purple patch: Beach babe Kelly Brook back on smiling form as she smooches on sand in mauve cossie with beau Thom Evans

Four of the pieces are of exceptional rarity, cultural significance and aesthetic quality. These include a bust of a pharaoh wearing a crown, a fragmented stone slab (known as a stele) depicting the patron goddess of Thebes from the era of the New Kingdom (circa 1500−1000 BC), and two architectural fragments with cult scenes from the Roman period (circa 753 BC to 476 AD).

The objects were returned to Egypt in conjunction with the celebration of the 10th anniversary of the Federal Act on the International Transfer of Cultural Property. The federal act marked the implementation of the 1970 UNESCO Convention on the illegal transfer of cultural goods.

On Tuesday, an international meeting will take place in Bern under the title “The UNESCO Convention of 1970: 10 years of implementation in Switzerland − The preservation of cultural heritage and the duty to care for cultural goods”.

The event will include discussion of the practical enforcement of the act both nationally and internationally, and the effect it has had on museums, archaeologists, art dealers, collectors and government authorities in its first ten years.

Source: Swissinfo [June 01, 2015]

“I condemn these destructions and I call on all parties to keep cultural heritage out of the conflict”, said the Director-General of UNESCO, Ms. Irina Bokova. “I am particularly distressed by the news concerning air strikes on heavily populated areas such as the cities of Sana’a and Saa’dah. In addition to causing terrible human suffering, these attacks are destroying Yemen’s unique cultural heritage, which is the repository of people’s identity, history and memory and an exceptional testimony to the achievements of the Islamic Civilization”.

“I call on all parties to refrain from any military use or targeting of cultural heritage sites and monuments, in respect of their obligations under international treaties, particularly the 1954 UNESCO Convention on the Protection of Cultural Property in the Event of Armed Conflict and its two Protocols, as well as the 1972 World Heritage Convention” said the Director-General, urging for the protection of Yemen’s cultural heritage sites from collateral damage or intentional targeting.

She finally strongly welcomed the announced five-day cease-fire scheduled to begin at 11pm on Tuesday, that will allow for humanitarian relief supplies to be delivered to the country as well as first damage assessments to be carried out.

The Old City of Sana’a was inscribed on the World Heritage list in 1986. Situated in a mountain valley at an altitude of 2,200 m, Sana’a has been inhabited for more than 2,500 years. During the 7th and 8th centuries, the city became a major centre for the propagation of Islam. This religious and political heritage can be seen in the 103 mosques, 14 hammams and over 6,000 houses, all built before the 11th century. Sana’a’s many-storeyed tower-houses built of rammed earth (pisé) add to the beauty of the site.

The Old City of Sana’a was restored through a major campaign launched by UNESCO in the late 1980s and early 1990s, thanks to the contribution of numerous countries and the continuous commitments of the Yemeni people and government.

Yemen has two other cultural World Heritage sites: the Old Walled City of Shibam (1982) and the Historic Town of Zabid (1993), inscribed on the World Heritage in Danger list since 2000.

Source: UNESCO [May 14, 2015]

The move comes after extended diplomatic talks, carried out between the Egyptian Embassy in Tel Aviv and officials from the Israeli government have failed, the source added.

“In order to return the smuggled artifacts, the Israeli government stipulated the reinstatement of Egypt’s ambassador to Israel, who was pulled in protest at Israeli airstrikes on the Gaza Strip in November 2011,” according to the source.

Head of the Restored Antiquities Department (RAD) Ali Ahmad told The Cairo Post that there are 126 artifacts in question spanning several eras of Egypt’s Paranoiac history.

“These artifacts, including clay vessels, vases and figurines were monitored during a routine search of international auction halls periodically carried out by members of the RAD,” said Ahmed.

In November 2014, former Egyptian Antiquities Minister Mohamed Ibrahim contacted the Interpol to “follow up with the responsible authorities in Jerusalem and to ask the Israeli authorities to conduct background checks on the proof of ownership and explain how it left Egypt as a prelude to reclaim,” AFP reported.

Based on UNESCO’s 1970 Convention on the Means of Prohibiting and Preventing Illicit Import, Export and Transfer of Ownership of Cultural Property, the Egyptian Embassy in Tel Aviv filed a lawsuit to restore the artifacts, the source said.

“The lawsuit in order to proceed, the Israeli court is expected to summon an antiquity expert from Egypt to rule on the authenticity of the mentioned,” the source said, adding the Egyptian government also has to prove “the artifacts are registered in the antiquities ministry’s archives and that they were stolen from archaeological sites, museums and the ministry’s storerooms.”

According to Ahmed, if an artifact was found on an e-commerce website or listed at an auction house abroad, the RAD contacts Interpol, the Egyptian tourism and antiquities police and the Foreign Ministry’s cultural relations department which, in its turn, informs Egypt’s embassy in the country where the artifact has been detected to stop the sale until it is proven the artifact left Egypt in a legal way.

“In order to stop the sale of an artifact, Interpol requires information including the laws of the country where the artifact was detected. Among required information is when and from where the artifact was allegedly stolen along with a full description of the registered artifacts,” according to Ahmed.

The artifact’s provenances (document that trace an artifact’s chain of ownership back to its excavation), is among the evidence required to prove Egypt’s legibility.

Egypt’s political turmoil since the January 25 Revolution in 2011 and its consequent security lapses left much of the country’s cultural heritage vulnerable to looting. In spite of the efforts of the Egyptian government in tracking smuggled artifacts inside Egypt and in auction houses abroad, many items are unaccounted for.

Author: Rany Mostafa | Source: The Cairo Post [May 25, 2015]

A decade or so ago it would have been absolutely unheard of to see timber lining the external walls of a modern architect's latest creation. After all, wood was a material that had been replaced many moons ago and was only found on rotting barns... right?

Like absolutely everything in construction, materials have the habit of forming a full circle. Timber was once the only material used, before technology allowed bricks and all sorts of other alternatives to replace it. Now, contemporary builders are turning to wood again with many under the impression that it releases an ultra-stylish appearance. Additionally, there is also the matter of sustainability and in a bid to stay on the green side, it goes without saying that timber performs much better than bricks and other products.

Therefore, wood is in fashion. It might not be found on your latest set of Wimpy houses, but take to any contemporary street and you'll see plenty of it. If you're looking to replicate the effects of the material, read on and find out what considerations need to be made to make the most of timber and create another wood-cladded sensation...

Which type of wood will you be using?

This question could be rephrased; 'how much is your budget?'. A lot of the time, you won't have much say in the type of wood that you opt for and money really does talk when it comes to choosing a timber.

Fortunately, there are plenty of varieties out there that have been deemed suitable to be used on outside walls. One might not be surprised to read that the likes of oak and chestnut are some of the most expensive options, but naturally provide the highest-quality finish. Down the scale we have cedar and larch, which are classed as softwoods but have the durability factor which makes them the market favourites. Then, at the bottom of the ladder we have pine and as well as holding the most basic appearance, this has the uncanny knack of deteriorating the quickest.

This means there is plenty of food for thought. While you might love the appearance of pine (and trust us, you'll probably be in the minority), you've also got to realise that it will come under a lot of stress and need replacing at shorter intervals than initially more expensive options.

How will the wood be implemented?

We don't need to tell you how many advanced cladding techniques there are now available, you just need to take a look around here and see all of the different materials and styles that can now be adopted.

As such, the world is your oyster when it comes to laying out your timber. It goes without saying that horizontal and vertical layouts are the most common, although don't be fooled into thinking that this is your limit. Some will opt for a diagonal approach, while others will overlap the timbers to create an embezzled effect.

Another misconception revolves around the size of the material. Even if you're buying the whole lot of timber in fixed sizes, don't be under the impression that you have to stick to them. They can be broken down into smaller pieces, although naturally this will involve increased labour costs for the fixing stage.

Who will fix the material?

It would be fair to say that installing a cladded wall is somewhat different to building a brand new one out of bricks. You might think it looks easy - but we'd urge you to stop in your tracks. Wood is a material that can go drastically wrong; it can change shape, become affected by moisture amongst a whole host of other defects.

This means that during the installation phase, the adequate provisions have to be made. The battens in which the cladding is fixed to can’t be spaced too far apart, as this could result in the timber bending. In other areas, a weatherproof membrane is a necessity, while openings must be left between each element of cladding to allow for any seasonal movement.

The above paragraph really is the tip of the iceberg and it's not the sort of handbook you want to be taking to your own construction site. If any of the above sounds confusing, it's time to ditch the DIY job and take to the Yellow Pages.

What is the finished article going to look like?

And finally, what everyone has been waiting for - what is the cladded timber going to look like by the time it is in use as a fully functioning wall?

If you happen to have used an expensive hardwood, there's every chance that you'll be looking to keep things as natural as possible and you might not even have to take out your paintbrush to preserve the material.

However, as soon as the timber gets softer, it might be time to change the approach. Not only will you want to purchase some sort of product to tailor the appearance to your liking, but you'll also probably need a wood stain to protect your wood.

The preservation of cladding becomes even more important if your property sits in an exposed location, without much natural protection. With regular masonry walls your main worry is penetrating damp, but when it comes to cladding you've also got to work to ensure that you're not regularly tearing down the wall coverings every few years just because the timber wasn't preserved adequately.

And there we have it - the four considerations whilst putting together your modern wood-cladded dwelling. While it might seem a lot to take in, a lot of homeowners forget that one of the major benefits of cladding is that it can easily be changed. Admittedly, it’s still a relatively big job, but if you do want to freshen things up from time to time and can afford to purchase new timber, it’s undoubtedly possible and can provide a completely different image to your home.

VIA «Old is the New New: Making Wood Work for Your Contemporary Pad»

Ali Ahmed, director of antiquities repatriation, told Ahram Online that the objects included limestone and wooden statues as well as a collection of limestone blocks from chapels across dfferent pharaonic periods.

The objects were seized by the Swiss police within the framework of a bilateral agreement between Egypt and Switzerland that prohibits the illegal import and export of cultural properties.

Minister of Antiquities Mamdouh Eldamaty said the objects are to be handed over to Egypt’s ambassador to Switzerland at the Federal Office for Culture in Bern during an event to mark tenth anniversary of the passage into Swiss law of a prohibition on illegal trade in cultural property.

Author: Nevine El-Aref | Source: Ahram Online [May 09, 2015]

There's one thing that's pretty consistent across all of the examples featured on this site — they're all as contemporary as it gets. There are no awkward features, everything is smooth, seamless and damn right modern.

Over the years the construction industry has seen technologies come and go, arguably at a faster rate than in other fields. It would be fair to say that one technology which has grabbed building experts by the scruff of the neck is solar. It's something which is being applied in practically every imaginable use and when it comes to contemporary homes it's no surprise why.

Solar is something that removes any aesthetic fears from architects. Once upon a time those famous panels may have been classed as intrusive, but nowadays they can be blended into any modern building. Similarly, smaller solar products (which we'll get into later), just don't hinder a home's appearance in the slightest and this is the reason it's here to say.

Of course, a lot of these products also happen to save a considerable amount of money - something which is surely required when you see some of the extravagant featured properties! Nevertheless, the point we're trying to make is that solar energy is here to stay and this is something that a lot of rival technologies haven't been able to say over the past few years. Here, we highlight how solar is growing, how you can use it on your home - and why it suits the contemporary, dream homes down to a tee.

The old favourite: solar panels

We may as well start with the thing that everyone associates solar technology with; those panels which seem to be affixed to a growing proportion of UK estates. Initially, they were targeted at local authority housing, but private homeowners have now caught on and they are especially popular with modern properties.

The nature of solar panels means that they are never going to be suited to a rustic dwelling. Shiny panels just don’t work on a converted barn, but when they are integrated to a potential Dwell award candidate, things start to change. They can actually look like a positive addition to such properties, while it’s now possible to purchase the panels in varying styles which make them highly compatible with different types of roofs.

Security lighting: no longer a tangle of wires

This is one use of the technology which doesn’t necessarily have to be implemented in a luxury home. The reason it’s been included in this article is because of the simplicity and it doesn’t matter where you live, gone are the days when you have to source an electrician to fit a complicated set of security lights.

Naturally, these lights arrive in various solar contemporary styles, but the big selling point is that they’re plug and play. Some security lights which are solar powered can be installed in a matter of minutes and this means that they’re certainly here to stay, and possibly overtake the standard security fittings that we have come so accustomed to over the last few years.

Water features: same as above

Take a look at the latest featured house on this blog and it will almost certainly be exquisitely landscaped, with a water feature to boot. The introduction of solar technology to these features has transformed the way in which gardens can be put together and again there’s no need to source a qualified electrician – a lot of these features are powered entirely by the sun.

Considering the fact that it’s also possible to obtain solar fairy lights to compliment the landscape, it goes without saying that water features are evolving and have become even more exuberant because of solar.

And finally… for the ultimate solar/contemporary enthusiast

We should probably have added another component to the title of this subheading, “for the ultimate property owner”. We’ll again refer to the houses that are featured across Art Architect and the vast majority have a pool in their back garden.

For a lot of years, the main problem with swimming pools hasn’t been the upfront cost (although these will still set you back tens of thousands of pounds, or more depending on your requirements), but the running costs. Again, solar has come to the rescue and through the use of solar thermal technology, it’s now possible to heat the water through the sun’s rays. Additionally, excess energy can be used for outside towel rails or even the water for showers – again elements that will accompany the contemporary plot down to a tee.

VIA «Solar: the Perfect Technology for the Contemporary Dwelling»

The artifacts, valued by the authorities at $107.6 million, were described in papers filed in State Supreme Court in Manhattan as having been looted from India and other places in southern Asia and smuggled into the United States by the dealer, Subhash Kapoor.

In their complaint, prosecutors said Mr. Kapoor, 65, had cached the items in an assortment of hideaways in Manhattan and Queens. They were confiscated during raids that began in 2012 and continued through last year.

The seized items included bronze and stone statues of Hindu deities, many of them ancient masterworks worth several million dollars each.

The authorities said their goal in gaining custody of the items was to set in motion the return of the stolen objects to India and their other countries of origin. Officials also hope to prosecute Mr. Kapoor, an American citizen, in the United States. Currently he is awaiting trial in India on charges of plundering archaeological sites and conspiring with black market traders to send illicit artifacts overseas. American officials are planning to extradite him after his case is settled.

Mr. Kapoor, whose defunct gallery, Art of the Past, sold hundreds of objects to prominent American museums and collectors, has denied any wrongdoing.

“At the present time we are at a distinct disadvantage because Mr. Kapoor is in an Indian jail and all the facts in this matter are known by him,” said Kenneth J. Kaplan, a lawyer for Mr. Kapoor. Manhattan prosecutors declined to comment on the case.

Since an initial raid on Mr. Kapoor’s gallery by Homeland Security Investigations agents in 2012, three of his associates have agreed to criminal penalties in exchange for cooperating with investigators, according to officials and lawyers. The case, which now extends to four continents and is being pursued in conjunction with Indian officials, has been named Operation Hidden Idol.

Mr. Kapoor’s office manager, Aaron M. Freedman, 43, of Princeton, N.J., pleaded guilty in 2013 to six counts of criminal possession of stolen property valued at $35 million and, according to his lawyer, helped officials track down some of Mr. Kapoor’s hidden storage locations.

In addition, Mr. Kapoor’s sister, Sushma Sareen, a 61-year-old Queens resident, pleaded guilty in November to a misdemeanor charge of obstructing justice and was sentenced to conditional release. In 2013, she had been charged with receiving and possessing several million dollars’ worth of ancient bronze statues, which remain missing. She is also cooperating, according to investigators.

Federal authorities have identified 18 American museums as owning a total of 500 items sold or donated by Mr. Kapoor. Several museums have recently turned in objects judged to be illicit, while others have said they are satisfied that their Kapoor items were legally acquired.

Author: Tom Mashberg | Source: The New York Times [April 14, 2015]

“The reconstruction of the mausoleums in Timbuktu is a fine example of the successful implementation of the decisions of the World Heritage Committee. Since the site was inscribed on the List of World Heritage in Danger in 2012, the World Heritage Committee has been working on this case,” said Maria Böhmer, Chair of the World Heritage Committee at the event. “We are deeply impressed by what has been achieved regarding the safeguarding of this incomparable World Heritage property. At a time when heritage is coming under attack by armed groups, the reconstruction of the mausoleums of Timbuktu gives us grounds for optimism.”

“Timbuktu is the symbol of a country that is recovering and regaining its self-confidence. It is the best answer we can give to violent extremists and a remarkable success story for the international community,” declared UNESCO Assistant Director-General for Culture Alfredo Pérez de Armiñán.

In the videos that appeared in April, militants can be seen taking sledge hammers to the iconic winged-bulls of Assyria and sawing apart floral reliefs in the palace of Ashurnasirpal II in Nimrud before the entire site is destroyed with explosives. But according to Qais Hussein Rashid, head of Iraq's State Board for Antiquities and Heritage, that was just the final step in a deeper game.

"According to our sources, the Islamic State started days before destroying this site by digging in this area, mainly the palace," he told The Associated Press from his office next to Iraq's National Museum - itself a target of looting after the 2003 U.S.-led invasion that ousted Saddam Hussein. "We think that they first started digging around these areas to get the artifacts, then they started demolishing them as a cover up."

While there is no firm evidence of the amount of money being made by the Islamic State group from looting antiquities, satellite photos and anecdotal evidence confirm widespread plundering of archaeological sites in areas under IS control.

Nimrud was also the site of one of the greatest discoveries in Iraqi history, stunning golden jewelry from a royal tomb found in 1989, and Rashid is worried that more such tombs lie beneath the site and have been plundered. He estimated the potential income from looting to be in the millions of dollars.

Experts speculate that the large pieces are destroyed with sledgehammers and drills for the benefit of the cameras, while the more portable items like figurines, masks and ancient clay cuneiform tablets are smuggled to dealers in Turkey.

On Wednesday, Egypt, together with the Antiquities Coalition and the Washington-based Middle East Institute will be holding a conference in Cairo entitled "Cultural Property Under Threat" to come up with regional solutions to the plundering and sale of antiquities.

This isn't the first time, of course, that Iraq's antiquities have fallen victim to current events. There was the infamous looting of the museum in 2003 and reports of widespread plundering of archaeological sites in the subsequent years, especially in the south. U.S. investigators at the time said al-Qaida was funding its activities with illicit sales of antiquities.

What appears to be different this time is the sheer scale and systematic nature of the looting, especially in the parts of Syria controlled by the Islamic State group. Satellite photos show some sites so riddled with holes they look like a moonscape.

The G-7's Financial Action Task Force said in a February report that the Islamic State group is making money both by selling artifacts directly - as probably would be the case with material taken from the museums - or by taxing criminal gangs that dig at the sites in their territory. After oil sales, extortion and kidnapping, antiquities sales are believed to be one of the group's main sources of funding.

In February, the United Nations passed a resolution recognizing that the Islamic State group was "generating income from the direct or indirect trade," in stolen artifacts, and added a ban on the illicit sale of Syrian antiquities to the already existing one on Iraqi artifacts passed in 2003.

While Iraq contains remains from civilizations dating back more than 5,000 years, the hardest hit artifacts have come from the Assyrian empire, which at its height in 700 B.C. stretched from Iran to the Mediterranean and whose ancient core almost exactly covers the area now controlled by the Islamic State group.

The looted artifacts most likely follow the traditional smuggling routes for all sorts of illicit goods into Turkey, according to Lynda Albertson, head of the Association for Research into Crimes Against Art. From there, the most common route is through Bulgaria and the Balkans into Western Europe. Britain and the United States remain the biggest markets for antiquities, though wealthy collectors are emerging in China and the Gulf - especially for Islamic-era artifacts.

International bans make the ultimate sale of illicit antiquities difficult, but not impossible. So far, there have been no reports of major, museum-quality pieces from IS-held territory appearing in auction houses, so the artifacts must be going to either private collectors or they are being hoarded by dealers to be slowly and discretely released onto the market, said Patty Gerstenblith, Director of the Center for Art, Museum and Cultural Heritage Law at DePaul University.

"I do believe that dealers are willing to warehouse items for a long time and that they may be receiving some `financing' to do this from well-heeled collectors or other dealers operating outside of the Middle East," she said. "It is relatively unlikely that a major piece would be plausibly sold on the open market with a story that it was in a private collection for a long period of time."

Mesopotamian sculptures, jewelry and stelae sold legally have commanded stunning sums, up to $1 million in some cases, but the looters would be selling them to dealers for a fraction of that cost - with the profit margin coming from the sheer number of artifacts being sold.

Iraq has sent lists to the International Council of Museums, the U.N. and Interpol detailing all the artifacts that might have been looted from the museum in Mosul, Iraq's second-largest city overrun by IS last June. Harder to stop, however, is the sale of never-before-seen pieces that have been newly dug up and never registered.

There is new legislation going through the U.S. Congress to tighten controls on illicit trafficking of materials from the Middle East, though Albertson contends that the laws are less important than the manpower devoted to enforcing them.

"A new resolution is just another well-intentioned piece of ineffective paper," she said.

The Iraqi government is now rushing to document the remaining sites in the country, especially in the disputed province of Salahuddin, just south of the Islamic State stronghold in Nineweh province. Nineweh itself is home to 1,700 archaeological sites, all under IS control, said Rashid of the antiquities department.

As a number of experts point out, though, most sites in Iraq have not been completely excavated and there are likely more winged bull statues and stelae waiting to be found under the earthen mounds scattered throughout this country - assuming the Islamic State group and its diggers don't find them first.

Author: Paul Schemm | Source: The Associated Press [May 12, 2015]

The ancient Jewish town of Bet She'arim reached its zenith in the 2nd-4th centuries CE. The inhabitants of Bet She'arim hewed grand tombs deep within the hill, with rock-cut burial chambers and stone coffins (sarcophagi). The rooms and the sarcophagi feature an abundance of carved reliefs, inscriptions and wall paintings. Stone-carved doors, which imitate the style of wooden doors, were fashioned to close some of the caves.

In the third century CE, Bet She'arim became a renowned Jewish center due to the presence of the spiritual leader Rabbi Judah Hanasi, head of the Sanhedrin. The Roman authorities, who supported his leadership, gave him much property, including an estate at Bet She'arim. Rabbi Judah moved the Sanhedrin from Shefar'am to Bet She'arim, and towards the end of his life to Zippori. He was buried at Bet She'arim in 220 CE, garnering fame for its cemetery in the Jewish world throughout in the talmudic

The Israel Nature and Parks Authority noted that the site is the oldest and most densely populated cemetery in Israel, and one of the most crowded burial sites in the Roman world, similar to the catacombs in Rome. "This is the most important ancient Jewish cemetery, and it contains a wide variety of architectural burial styles, containing a varied wealth of Classical Oriental Roman art, combined with folk art, with hundreds of inscriptions in four languages - Hebrew, Greek, Aramaic and Palmyric."

Last year, Beit Guvrin was declared a World Heritage Site. Other sites previously added to the prestigious list were the Nahal Me’arot Nature Reserve, the Baha'i holy sites in Haifa and the Western Galilee, the Incense Route and its Nabatean towns, the biblical tels of Megiddo, Hazor and Be'er Sheva, The White City of Tel Aviv, Masada and the Old City of Acre. The Old City of Jerusalem and its walls were the first Israeli heritage site declared by UNESCO, in 1981.

Source: Israel Ministry of Foreign Affairs [July 05, 2015]

Another recent post on this site highlights that 'old is the new new' and in some regards, this article follows a similar theme. While a lot of Brits are head over heels in love with the whole contemporary theme, many also appreciate completely upgrading a building that is on the verge of extinction.

The idea of combining a rustic exterior with completely stylish and futuristic internal features is an approach that a lot of people are starting to follow. Unfortunately, along with that old outer shell arrive a whole host of legal issues. Heritage and conservation are two of the primary concerns and for anyone who decides to get their hands dirty in one of these projects, they'll most probably have to satisfy English Heritage as well as all of the other standard statutory requirements.

One of the most frustrating areas of such a project is the glazing. One might assume that the simple nature of windows means that they surely can't be at the centre of too many problems. However, this is seldom the case with listed properties and the general requirement is to leave the existing glazing and frames in place.

Naturally, this causes a whole host of problems. Firstly, the old style single glazing is extremely inefficient, prompting umpteen thermal difficulties that will drive your heating bills up considerably. This also relates to all of the condensation problems that can occur and due to the cold surface, it's not uncommon for the glazing to be lined with that unflattering moisture while the frames have to be regularly treated with chemicals to rid them of all of the black mould. Then, there are the other aesthetic issues and while some property owners might want to retain some 'original' features - windows rarely fall into this category.

Therefore, staying ‘original’ is certainly very difficult in relation to the windows. Fortunately, like pretty much everything in the construction industry, technology has come to the rescue. Here, we’ll take a look at some of the ways in which it’s possible to negotiate the heritage problems that surround original glazing.

Secondary Glazing

Over the years this is a solution that has become more and more popular, even if some would argue that it detracts from the quality of the interior.

The main problem that the authorities have when it comes to historic windows is their appearance from the outside. The last thing they want is for historic buildings to be donning brand new white PVC windows - it just doesn't look right, and this is something that even the most stringent building owner would struggle to disagree with.

Therefore, secondary glazing is an immediate solution. As the name indicates, this revolves another pane of glass being installed, but with the original staying in exactly the same place. This means that there is usually a significant gap between the two panes and there's no doubt that in some cases, it can look somewhat bizarre. Still, it generally satisfies English Heritage and from a thermal perspective, the extra pane of glass will work wonders. We may as well add that those dreaded condensation stains around the windows will be a thing of the past as well, as this new pane will not be coming into contact with any cold air.

Slimlite

An even more recent method has been derived from a company called Slimlite. The fact that Grand Designs have endorsed this glazing in some of their featured projects speaks volumes about its success.

In this case, the original glazing is actually removed - although the frames stay in place. Then, exceptionally thin glass, which performs as well as your standard double-glazing, is inserted into the empty frames. The end result is that the windows have the original frames, with glass that looks identical to the material that was there previously.

It's an ingenious method and can again solve all of the problems that were discussed in the early portions of this article.

Eco Ease

The final option we'll look at falls right in between the above two. In some regards, the Eco Ease concept can be described as secondary glazing as it technically results in another pane of 'glass' being installed. However, there's no significant cavity, with this 'glass' actually arriving in sticker form.

That's right, the material isn't like the standard glass that forms our windows. Instead, this is a product which can be installed via a DIY approach, or in some cases for a team of specialists to measure up and fit the glazing for you.

The fact that it is detachable will be useful for some households, while it retains impressive thermal and noise properties as well. Unsurprisingly, it arrives at a fraction of the cost - yet still manages to keep the exterior of the windows looking the same.

A Closing Thought

It’s clear to see that the problem of balancing glazing with heritage isn’t as severe as it was several years ago. At one point, the cost of fine-tuning original windows made some projects completely unviable from a financial standpoint – especially as this still prompted condensation and poor thermal performance. Therefore, the industry has progressed substantially and if you are contemplating the purchase of a historic building, one of the above solutions should at least ensure that you don’t have any troublesome heritage headaches to experience with the windows.

VIA «The Glazing Conundrum for Conversion Enthusiasts»

The General Assembly adopted a resolution on saving Iraq's cultural sites as international concern mounted over the fate of the Syrian archaeological site of Palmyra captured by Islamic State fighters a week ago.

Videos of IS combatants destroying artifacts at the Mosul museum and smashing sledgehammers into ancient walls at Hatra and Nimrud sparked an outcry and calls to prevent the "cultural cleansing" of the Middle East.

The non-binding resolution drafted by Germany and Iraq condemns the "barbaric" destruction and looting of heritage sites and calls for the prosecution of perpetrators of cultural vandalism.

The measure urges states to ensure that art collectors, auction houses, art dealers and museum professionals provide documentation to verify the provenance of artifacts.

"The destruction of Iraqi cultural heritage, the cradle of civilization, is no less barbaric and serious than killing Iraqis," Iraq's Ambassador Mohamed Ali Alhakim told the 193-nation assembly.

German state minister Maria Boehmer said the destruction of world heritage sites "is a war crime and an attack on humanity as a whole."

"Every person needs to know that the purchase of property from Iraq is punishable but also that it supports and finances terrorist activities," said Boehmer.

The resolution calls for stepped-up efforts to protect and track items of cultural heritage and warns that attacks on historic monuments may amount to war crimes.

During a news conference following the adoption, Alhakim lamented that the Security Council did not adopt such a resolution, which would then have been binding and enforceable.

The council in February adopted a resolution that seeks to cut off financing to the Islamic State group from the smuggling of antiquities.

That measure slapped a ban on the sale of antiquities from Syria, while a 10-year-old ban on those from Iraq remains in force.

Source: AFP [May 28, 2015]

According to the Mexican Secretariat of Foreign Affairs – a department within the Mexican government – UNESCO will now offer the nine sites “special protection”, with the heritage body and government working together to impose, promote and implement humanitarian international law at the locations.

Included under the new agreement are the pre-Columbian era cities of Palenque, Teotihuacan, Chichen Itza, Yucatan, El Tajin, and Uxmal, as well as the ancient Mayan city of Calakmul and the archaeological zones of Monte Alban and Paquime.

"This corresponds as much to the intention that Mexicans' cultural heritage will progressively have greater protection as it does to commitments by the Mexican government to impose, promote and implement humanitarian international law," said a statement by the Secretariat.

The registry process has taken two years to complete, with several institutions including the Secretariat and the National Anthropology and History Institute starting the process in 2013.

The sites will now prepare plans ahead of potential natural or man-made disasters, with UNESCO striving to combat cultural trafficking and working towards prevention or mitigation of damage to the heritage sites.

Author: Tom Anstey | Source: Leisure Management [May 11, 2015]

Bump Key Proof — will protect you the lock

VIA «Bump Key: safety of the lock under the threat»