VIA Black N Blue Bowl at Webster Hall

Country crooner Scotty McCreery was the first to find out he had made it through followed by Lauren Alaina.
In... and out: Alaina celebrates as Haley Reinhart learns she has been eliminated from the show
Haley Reinhart, 20, kept her cool belting out Bennie And The Jets, without shedding a tear.
At the end of the song Haley said: 'You'll be seeing me, this ain't the end of this, this ain't the end of this thing - see you later!'
She then embraced her mother and father in the audience.
Reinhart had always seemed doomed on Idol. Unlike her remaining rivals the wavy-haired singer had been less definable and garnered fewer votes, landing at the bottom as one of the show's low vote-getters four times after weak performances of such songs as LeAnn Rimes' Blue and Blondie's Call Me.
No tears: Haley Reinhart, 20, kept her cool belting out Bennie And The Jets, without shedding a tear
This season's femme fatale found recent success by boldly tackling classic rock tunes.
She earned a standing ovation from the judges two weeks ago for a rousing rendition of The Animals' version of The House of the Rising Sun, and she was lauded again Wednesday for her performances of Fleetwood Mac's Rhiannon and Led Zeppelin's What Is and What Should Never Be.
It was apparently too little, too late for Reinhart after 95 million viewer votes were cast Wednesday.
Well done: After her performance Haley ran to embrace her parents in the audience
While she was finding her groove throughout the finals, McCreery and Alaina had been delivering consistent country and pop performances since their attention-grabbing auditions.
McCreery never appeared at the bottom, and Alaina only did once two weeks ago.
Earlier in the evening as each of the three finalists were filmed visiting their hometowns.
I'll be back: Haley vowed that viewers hadn't seen the last of her
The show also featured a sizzling live performance by Nicole Scherzinger and 50 Cent and the U.S. debut of Italian boy-band and tenor trio Il Volo.
Haley Reinhart made a tearful return to her hometown of Wheeling, Illinois a village 30 miles north of Chicago where she was overwhelmed by the number of fans who came out to see her despite a downpour.
Scotty McCreery returned to his hometown of Garner, North Carolina for an all out concert performance - crying on camera as he was pictured leaving in his limousine.
Homecoming: Scotty McCreery sobs as he makes his triumphant return to him hometown
Emotional: McReery sobbed as he prepared for an all out concert performance in Garner, North Carolina
But the perhaps the most emotional return was for Southern belle Lauren Alaina returned to Rossville, Georgia to visit her old high-school before taking a tour of the nearby area, which was devastated by recent storms and tornadoes.
She wept as she past through the devastated communities meeting with some of the families whose lives had been torn apart by the disaster.
'I'm doing this for you guys,' she told the crowd.
Disbelief: Lauren Alaina returned to Rossville, Georgia to visit her old high-school before taking a tour of the nearby area, which was devastated by recent storms and tornadoes
I'm doing this for you: She wept as she past through the devastated communities meeting with some of the families whose lives had been torn apart by the disaster
McCreery and Alaina will face off Tuesday, with the 10th season Idol champion crowned on Wednesday.
It will mark the youngest finale matchup in Idol history.
Producers lowered the minimum age requirement to 15 years old this season, which allowed Alaina, who's been compared to fourth season Idol winner Carrie Underwood, the chance to audition last year.
Success: The judges are also winners, with a record 95-million votes were recorded after the semi-final show last night
The show featured a sizzling live performance by Nicole Scherzinger, she will co-host the U.S. X Factor
source: dailymail

VIA Lauren Alaina and Scotty McCreery to battle it out in American Idol final... as Haley Reinhart is eliminated

Alice In Wonderland: Johnny Depp

Weirdo. Loner. Outsider. These are some of the terms director Tim Burton uses to describe himself. You will notice `creative genius’ isn’t one of them, however, the term is being thrust upon on the quirky filmmaker thanks to Tim Burton: The Exhibition which opened at the Australian Centre for the Moving Image (ACMI) in Melbourne on Thursday. The show is an extension of an exhibition curated by the Performance Center Alexanderhoehe, Iserlohn (Germany), which attracted more than 850, 000 visitors and made it the third largest exhibit at MoMA ever, behind Picasso and Matisse.

It is a remarkable feat for someone who is firstly, not a mainstream artist, and secondly, alive.

“Most of this stuff was never meant to really be seen,” says Burton, sitting cross-legged in an ACMI room in his signature uniform of black jeans, a black shirt and black oversized cardigan. His famous curly hair frizzes out at all ends and his hands, fluid and always moving, add to its state by running through it as he describes the `freedoms’ of being labelled a weirdo.
“As soon as society says you’re a weirdo, then you’re a weirdo, whether you like it or not,” says the 51-year-old.
“After a certain time you just accept it and it gives you a sense of freedom because if you want to wear a bag over your head society will just accept it because they thought you were weird anyway.
“Like when I was at Disney they thought I was weird, so I would work under my desk for half the day.
“Sometimes if they couldn’t find me I’d just be in a dark cupboard working, like my private confessional.
“So there’s an amount of freedom when you’re categorised a certain way. “
Growing up in Burbank, California, Tim Burton was fascinated by the visual image and spent his formative years sketching, painting, animating and filming what he saw around him.
“When you circle outside of society, when you’re kind of, you’re not in there, you’re looking at things,” he says.
“A lot of it has to do with feeling out of society so you have a lot more observation.”
These observations make up the first part of the exhibit, Surviving Burbank, and include, among dozens of sketches and early short films, a handmade book he submitted to Disney in the 1970s and the accompanying rejection letter. Several years later Burton achieved his goal and began working at Disney’s Burbank studios as an animator. Some of his early work for the company was as on family hits The Black Cauldron and The Fox and the Hound, which Burton physically shudders remembering.
“I was never good at drawing foxes, especially the cute ones,” he says.
“That’s why I can’t look at the exhibit because it freaks me out too much.
“I know they’ve done a good job, but it’s like seeing your dirty laundry hanging up. “`Oh there’s my underwear from 1973 and there’s some dirty socks.’

Personal embarrassment aside, the exhibition is an in-depth look at the creative processes and twisted imagination of Burton, featuring more than 700 works including drawings, early films, sculptures, concept art, installations, puppets, costumes and cinematic ephemera. The second part of the exhibition, Beautifying Burbank, follows Burton’s step away from the Disney studio and his first early film and animation works, including his rarely seen Japanese kung-fu version of Hansel and Gretel and better known works Frankenweenie and Vincent, the latter based around one of Burton’s great inspirations — horror movie icon Vincent Price.

The final section, Beyond Burbank, looks at his feature film career, which has spanned over two decades. From his early works, such as Beetlejuice and Edward Scissorhands, to more recent films like Charlie and The Chocolate Factory and Sweeney Todd: The Demon Barber Of Fleet Street, Burton has made the leap from cult to commercially successful filmmaker. His latest film, Alice In Wonderland, has grossed more than $1 billion at the international box office and gone on to become the fifth highest grossing film of all time. But Burton is quick to write-off his recent success and says if spending half his lifetime in the movie-making business has taught him anything, it is that filmmaking is a `humbling process’.

“I remember after making Batman I thought `oh, that was a success, I can go and do anything now’,” he says.
“And so I went and pitched them Edward Scissorhands and they gave me a completely blank look.
“Nobody wanted to do that and nobody wanted to do Ed Wood, so I had to go about it in other ways.
“Then I remember pitching a musical version of The House Of Wax with Michael Jackson that he was into but they, the studio, were definitely not into.
“It’s always a struggle to make a film.”

Despite the many `challenges’ faced when trying to get a project off the ground, Burton says he has faith that everything works out for a reason. He cites the studio not letting him have Sammy Davis Jr play Beetlejuice as an example, because `it opened the door for Michael Keaton’ who also went on to play Batman in Burton’s two adaptations of the comic book superhero. Another near-miss occurred when, after three hours of auditioning, Burton talked a young Tom Cruise out of wanting the role of Edward Scissorhands, which was later filled by Johnny Depp, who has become a frequent collaborator and one of Burton’s closest friends. Failed projects and major successes go hand in hand for Burton, who says he has learned `not to regret anything’.

“I don’t really regret, it’s always important not to,” he says.
“Every movie I’ve done, whether it’s turned out or not, I’ve still enjoyed aspects of it, you know?
“I mean I think the one I got the most slack with is Planet Of The Apes because that was messing with a classic.
“But I still enjoyed seeing talking apes."

One of the highlights of the exhibition is the 2.7kg costume Depp wore in Edward Scissorhands (above), which is stationed at the entrance to the exhibit along with one of the scissor hands on display in a glass cabinet. Other featured works which will have the legions of Burtonites, the name given to passionate Tim Burton fans, gushing is the famous outfit Michelle Phfieffer wore as Catwoman in Batman Returns, original puppets from Tim Burton’s The Nightmare Before Christmas borrowed from the Disney archives, costumes and sketches from Alice In Wonderland and the Burtonarium, a carnival tent buried deep within the exhibit which houses a light emitting sculptural work by Burton called Carousel (pictured at the very bottom).

ACMI Head of Exhibitions Conrad Bodman says the `diversity’ of the exhibits represents Burton as a filmmaker and goes a long way to explaining his loyal fan base.

“One of the things that Tim has always done is work across a range of film genres - action films, animated films, family films, horror films - and I think all of those types of films have different audiences and when you pull all those inspirations together in the one place, people want to come,” he says.
“What we’re showing in the exhibition is a lot of original concept artwork for his major feature films and we’re kind of looking at the process of his feature filmmaking over the years.
“People can see that often the hand drawn is the starting point for some ideas and then that turns into a visual reality for a whole process of development.
“Tim still does a lot of that kind of drawing, painting and making puppets for himself and people will be fascinated to see that process in action.”

Unlike many other filmmakers, Burton says he has been able to maintain his artistic integrity and stay connected to his creative roots by separating himself from the industry.

“I don’t live in Hollywood,” he says.
“I moved away many years ago and once you start doing things they try to treat you as a commodity, a thing.
“You know, you spend your whole life to be recognised as a human being and then they try to tag you as a thing.
“Like `oh, you’ve done this and that’s what we expect’ so I don’t go back and look at my films too much because I try not to become a `thing’.
“I try to keep human... no person or people should be described as one thing.
“I think everybody has lots of different aspects to their personality.
“Some are dark, funny, sad, there are so many words for each person.”

Considering Melbourne was originally to be called Batmania, after one of it’s founders John Batman, it seems appropriate that it is to be the home of Tim Burton: The Exhibition, which runs until October 11. Already ACMI has experienced a fevour amongst Burton’s Australian fans, with all of his public appearances selling out within 24 hours of going on sale and hundreds of fans queuing through Federation Square to be the first to enter the exhibit when it opened on Thursday and have copies of the exhibition guide signed by Burton himself. It is ironic that his work and films are so accepted by the society he once considered himself `outside’ of. It is a phenomenon best summed up by Burton’s partner and regular collaborator Helena Bonham Carter, with whom he has two children. In a book on the art of Tim Burton she says: “When I see him surrounded by flushed and hyperventilating young fans I feel it’s a triumph of the lonely misunderstood outsider child he once felt he was. Now he’s the most understood misunderstood person I’ve come across in the world.”

In the meantime Burton says he is enjoying a lull between live action projects, while busying himself with a feature-length adaptation of Frankenweenie (concept art), due for release next year. He emphasises the stop-motion animated film is the only project he is working on and committed to, despite online reports which have linked him to adaptations of The Addams Family and super-natural TV series Dark Shadows, both which he blatantly denies were ever `considered’.

“That’s why I never go on the internet because it always seems like I have some sort of evil clone out there that is doing all these projects,” he says.
“I’m still recovering from the last one.
“Whenever I read this stuff I get tired, I think `God, I must be busy’.
“The studios often have a release date before they have a script, which is such a mistake.
“I’m trying to get out of that and, you know, into this strange concept of having a script before you announce a release date.”

P.S. I did the good Samaritan thing on Sunday and took some boys I babysit to see The Karate Kid. Considering what I endured sitting through that movie, karma better have a pet unicorn heading my way! And while you're in the laughing mood, you must must must watch the video clip for The Karate Kid theme song: Never Say Never by Justin Bieber, featuring rapping from Jaden Smith. Hopefully this is not an indication that Smith will make a rap song to accompany every movie he makes, just like his dad. But seriously, when you look young standing next to Justin Bieber then it's time to stop rapping and get back in the womb.

VIA Picasso, Matisse and... Tim Burton!..

A decade or so ago it would have been absolutely unheard of to see timber lining the external walls of a modern architect's latest creation. After all, wood was a material that had been replaced many moons ago and was only found on rotting barns... right?

Like absolutely everything in construction, materials have the habit of forming a full circle. Timber was once the only material used, before technology allowed bricks and all sorts of other alternatives to replace it. Now, contemporary builders are turning to wood again with many under the impression that it releases an ultra-stylish appearance. Additionally, there is also the matter of sustainability and in a bid to stay on the green side, it goes without saying that timber performs much better than bricks and other products.

Therefore, wood is in fashion. It might not be found on your latest set of Wimpy houses, but take to any contemporary street and you'll see plenty of it. If you're looking to replicate the effects of the material, read on and find out what considerations need to be made to make the most of timber and create another wood-cladded sensation...

Which type of wood will you be using?

This question could be rephrased; 'how much is your budget?'. A lot of the time, you won't have much say in the type of wood that you opt for and money really does talk when it comes to choosing a timber.

Fortunately, there are plenty of varieties out there that have been deemed suitable to be used on outside walls. One might not be surprised to read that the likes of oak and chestnut are some of the most expensive options, but naturally provide the highest-quality finish. Down the scale we have cedar and larch, which are classed as softwoods but have the durability factor which makes them the market favourites. Then, at the bottom of the ladder we have pine and as well as holding the most basic appearance, this has the uncanny knack of deteriorating the quickest.

This means there is plenty of food for thought. While you might love the appearance of pine (and trust us, you'll probably be in the minority), you've also got to realise that it will come under a lot of stress and need replacing at shorter intervals than initially more expensive options.

How will the wood be implemented?

We don't need to tell you how many advanced cladding techniques there are now available, you just need to take a look around here and see all of the different materials and styles that can now be adopted.

As such, the world is your oyster when it comes to laying out your timber. It goes without saying that horizontal and vertical layouts are the most common, although don't be fooled into thinking that this is your limit. Some will opt for a diagonal approach, while others will overlap the timbers to create an embezzled effect.

Another misconception revolves around the size of the material. Even if you're buying the whole lot of timber in fixed sizes, don't be under the impression that you have to stick to them. They can be broken down into smaller pieces, although naturally this will involve increased labour costs for the fixing stage.

Who will fix the material?

It would be fair to say that installing a cladded wall is somewhat different to building a brand new one out of bricks. You might think it looks easy - but we'd urge you to stop in your tracks. Wood is a material that can go drastically wrong; it can change shape, become affected by moisture amongst a whole host of other defects.

This means that during the installation phase, the adequate provisions have to be made. The battens in which the cladding is fixed to can’t be spaced too far apart, as this could result in the timber bending. In other areas, a weatherproof membrane is a necessity, while openings must be left between each element of cladding to allow for any seasonal movement.

The above paragraph really is the tip of the iceberg and it's not the sort of handbook you want to be taking to your own construction site. If any of the above sounds confusing, it's time to ditch the DIY job and take to the Yellow Pages.

What is the finished article going to look like?

And finally, what everyone has been waiting for - what is the cladded timber going to look like by the time it is in use as a fully functioning wall?

If you happen to have used an expensive hardwood, there's every chance that you'll be looking to keep things as natural as possible and you might not even have to take out your paintbrush to preserve the material.

However, as soon as the timber gets softer, it might be time to change the approach. Not only will you want to purchase some sort of product to tailor the appearance to your liking, but you'll also probably need a wood stain to protect your wood.

The preservation of cladding becomes even more important if your property sits in an exposed location, without much natural protection. With regular masonry walls your main worry is penetrating damp, but when it comes to cladding you've also got to work to ensure that you're not regularly tearing down the wall coverings every few years just because the timber wasn't preserved adequately.

And there we have it - the four considerations whilst putting together your modern wood-cladded dwelling. While it might seem a lot to take in, a lot of homeowners forget that one of the major benefits of cladding is that it can easily be changed. Admittedly, it’s still a relatively big job, but if you do want to freshen things up from time to time and can afford to purchase new timber, it’s undoubtedly possible and can provide a completely different image to your home.

VIA «Old is the New New: Making Wood Work for Your Contemporary Pad»

Oh, hello there. Nice to see you. Notice anything different? Anything intermediate? Yes, that's right. I have successfully completed an intermediate pattern. We're talking darts, facing, curvy sleeves, and bits that match up.

And, while I'm (obviously) pretty chuffed with myself I can't take all the credit. Colette patterns are just so damn good. I mean they come in book format. They have a glossary. I know I've praised Colette pattern's organised awesomeness before, but it's worth another shout out.

What I changed?
I used a single layer of fabric for the sleeves and hemmed them instead of using two-layers as the pattern suggests. I think the curve would have been nicer with two-layers, but I was feeling rebellious. I also used a regular zipper instead of an invisible zipper because apparently I live in the deserted wastelands and dark blue invisible zippers over 5cm are rare, exotic gems.

What I like?
Despite my rebellion, I adore the way the sleeves turned out. They're incredibly feminine in how they mimic the bust line. The secret pockets hidden beneath a pleat. We're talking hidden, deep, comfortable pockets that don't change the shape or bulk up the dress. Genius. Someone get Sarai a nobel prize, stat.

I'm also really happy with the fit of the dress, especially the bodice. As usual, the pattern had to go through some epic changes to fit me properly. I originally cut a 4 in the top and 6 in the bottom (holla for the badonkadonks!), lengthened the bodice 3.5cm (1.4"), took in the waist, adjusted the skirt to match, blah blah blah...

What I'll do next time?Match the waist band pieces. Ssssh. Just don't look at them.

So, my verdict is love, love, love and I can't wait to make it again. But, I know you might be wondering... what does my macaron have to do with a field track? Well I was at Uni wearing my dress, so I thought I'd take some photos while out there. And, the reason I was at Uni?

So I'm a graduate with intermediate sewing skillz. Could I be any happier? No. Probably not. Unless I had a chocolate milkshake. Then my life would be complete.

Macarons On My Table

Saying a sewing project is on my table is a bit of a lie. It's really on my floor, with a sleeve on the table, a skirt front over a chair, and a back yoke who-knows-where. But it will come together, with the it being my new, nearly completed Colette Macaron dress. You've probably seen it out in the google-sphere on other talented ladies (or men?). I'm using the same japanese cotton from my Welcome Spring dress... and my present bag.

But please, hear my case. I have a totally legitimate reason. You see I bought the fabric online, and my cautious nature thought "I'll get a touch extra, just in case". I then discovered the Simplicity pattern was a big fat lying liar pants and I needed way less than suggested. So I gotta-lotta fabric. Two dresses and a bag's worth, actually. The Macaron pattern is labelled 'intermediate', but to be honest I haven't found too many issues... yet. It just requires patience.

I have also checked a technique. Look at this facing, it's so facey! I can't believe it took me so long to do facing. I literally stared at it for about an hour. You know what else this facing is? Serged. Seriously I am now considering my life in two parts: Before and after owning a serger. With the latter obviously being far greater and magical.

It makes everything so clean. So neat. So finished. I'm going a little serger crazy. This is going to be the neatest goddamn garment in the land I tell you. Oh, I also have a new addition to my treasured sewing family. Yesterday was my birthday and, what can I say, my boy knows how to buy a good present. I haven't used it yet, but I feel pretty pro just having it in my possession.

Colette Violet

Yeah, things are getting Colette-crazy around here, and next up is the beautiful Violet blouse. I've had this pattern for a while but never mustered the courage to attack those intimidating button holes, or that menacing peter pan collar. I'm sure I'll find, just like every other time I check a technique, it will be fine and I have nothing to fear from a little Peter Pan action.

I'll probably use one of the three fabrics below as they're already in my stash. I'm petrified of creating one of those prevalent space-devouring stash-monsters. That all looks rather pink, doesn't it? The first two I bought at a vintage fair, and the third is a liberty of London fabric I got for my birthday. Spoilt much? Yes. I've never sewn with liberty fabric, but it's been a dream of mine. I'm not embarrassed to admit I've spent hours just holding onto this little strip of fabric, rubbing it against my cheek.

VIA Intermediate Pattern For Colette Macaron Dress

After losing a set to little-known Spaniard Daniel Gimeno-Traver, to the consternation of his mother Judy and girlfriend Kim, the Scot recovered to win by three sets to one beneath the Centre Court roof, in use for the first time.

Sign of the times: Hardy fans on Murray Mount sit around a bench in the dying hope that there might be some more tennis for them to enjoy
Rain stops play? Not for these boy who slide down Murray Mount enjoying the slippery surface
Spectators cover up to try and keep dry on one of the courts in the vain hope that play will eventually be resumed
Sitting it out: A couple shelter from the rain in Centre Court before the retractable roof kicks into action while others huddle under an umbrella and waterproof
Andy Murray's girlfriend, Kim Sears reacts as she sits alongside his mother Judy while he takes Centre Court against Spain's Gimeno-Traver

Ball boys tied and swept water from the covers last night to stop the grass from getting wet in the hope that play can resume today
Making a dash: These spectators cover up as they leave the stadiums after heavy rain stopped play
Furious tennis lovers deprived of the chance to cheer him on from Murray Mount said they would have been happy to take their chances with the slippery conditions and accused tournament organisers of bowing to the modern culture of inflating potential risks beyond likely reality. Others showed how it was possible to slide down the hill, even head-first, without injury.
This is the first time in the tournament history the screen has been deliberately blanked out since it was installed. Countless throngs have enjoyed second-best views from this spot, which can accommodate up to 4,000. When the roof is open, you can easily hear the roar of the Centre Court crowd while watching the action on screen.
I've got it covered: Andy Murray returns a shot in his match against Spain's Daniel Gimeno-Traver of Spain on Centre Court
Among the disappointed fans was Katie O’Brien, the British hopeful who was knocked out yesterday after losing her first-round match and took her family to the hill to ‘drown my sorrows with a Pimm’s’, as she phrased it on Twitter. Shortly afterwards, the screen went blank.
Wimbledon spokesman Johnny Perkins said: ‘This is the first time we have had to shut off the big screen as this is the first time the roof has been used in these conditions. Previous to the roof, of course there would have been no play to watch on Centre anyway if it was rained off.
‘The hill has been closed because of the slippery nature of the grass while it is so wet. It is a health and safety issue. We just can’t have people slipping and sliding and falling off the thing and breaking their ankles.
‘It’s different on the courts if there is a drizzle as they can sit on seats. We could have large numbers of people slipping and sliding all over the place.’
'Even if the rain stops we won't turn the big screen back on - that's it I'm afraid. It's regrettable but wise in view of the circumstances. We always anticipated that we would have to turn off the match for those on the hill if it rained.'
Those who were lucky enough to get onto the show courts were treated to a mesmerising display from Venus Williams - in the form of a strange white playsuit.
It was so wet on Murray Mount that fans took the opportunity to enjoy the atmosphere and slide their way to the bottom of the hill, but it has now been shut over health and safety fears.
Lovely weather for ducks... and flowers: This young spectator was totally absorbed by the tennis action - while it lasted
Full of anticipation: Crowds begin to assemble on 'Murray Mound' ahead of the British number one's first round match against Daniel Gimeno-Traver yesterday afternoon

Star turn: Dakota Fanning, left, was among the visitors to SW19 on the opening day of Wimbledon, while Kirsten Dunst was enjoying the day with fashion editor Leith Clark (in the black boots)
source :dailymail

VIA Elf 'n' safety shuts Murray Mount: Fans might slip on the grass, warn officials

'It was the worst phone call I ever got in my life waking up to that,' the 31-year-old wept.
Raw grief: Bam could barely hold it together as he gave an interview to a local news station
Margera, who was in Arizona at the time of the crash, visited the crash scene in Philadelphia on Tuesday evening.
He was visibly overcome with emotion, rocking back and forth in agony at the guardrail that the car crashed through.
'I've never lost anybody that I cared about. It's my best friend,' he told local TV station WPXI, weeping.
'Worst phone call of my life': He paid tribute to his childhood friend and asked how he would cope with the loss he wept: 'I can't, I can't'
'He was the happiest person ever, the smartest guy. He had so much talent, and he had so many things going for him. This is not right, not right.'
Margera stood at the guardrail that Dunn pierced with his Porsche Monday morning with such force that the car slammed through about 40 feet of trees before exploding into flames.
When asked how he'd get through this ordeal, Bam replied: 'I can't. I can't.'
Dunn's brother, Eric Dunn, said in an emailed statement to the AP that his family was 'devastated'.

Memories: The cast of Bam's show Viva La Bam, a spin-off from Jackass, featuring Bam, front centre, his father Phil, far left, mother April and Dunn, back centre which ran for five seasons between 2003 and 2005
Emotional: Close friends of Dunn visited the spot where his car smashed into a guardrail before careering off the road and into woodland and exploding into flames
In good spirits: A new picture shows Jackass star Ryan Dunn in high spirits as he parties at a bar with friends and fans shortly before he crashed his Porsche yesterday morning, killing himself and another passenger
Childhood friends: Ryan and Bam, pictured back in November 2003
Wreckage: The charred remains of the Porsche 911 GT3 is towed away as police survey the scene

Investigation: Dunn's Porsche was found engulfed in flames in woods beside the road
Margera, who appeared in her son's MTV show 'Viva La Bam' with Dunn, says he was not the type of person to get behind the wheel while drunk.
'He is going to be missed by everyone,' April tearfully told the NBC Today Show.
'I have yelled at him for lots of things but he was not a big drinker and he was always responsible as far as I know, so I cannot believe he would do that.
'I am sick because it is a waste, sick because I loved him, sick because he was talented and sick because he is gone.'
Meanwhile the passenger killed in Dunn's fatal car crash has been identified.
Police have confirmed Zachary Hartwell, 30, perished in a fireball car crash in the early hours of yesterday morning.
Hartwell, from West Chester, Philadelphia, had been with Dunn at Barnaby's and appeared in one of the last photographs to be taken of the daredevil before the accident.
The two were drinking with a third unidentified male in a Twitter picture, which was posted hours before the accident.
Speaking out: Bam Margera's mother April says she does not believe Dunn was driving drunk at the time of his death
While Hartwell was not a member of the Jackass crew, he is listed as a production assistant on the second Jackass movie.
He is also credited on IMDb as a 'car stunt driver' in Bam Margera's film Minghags.
He was reportedly a recently married Iraq war veteran
Dunn who was famous for his vulgar stunts in the multimillion-dollar TV and movie franchise Jackass, was driving his 2007 Porsche on a highway when it left the road, flipped over a guardrail and crashed into woods before bursting into flames.
Speed may have been a factor in the crash, West Goshen Township police said.
The force of impact shattered the vehicle into several twisted and blackened pieces, leaving the Porsche 911 GT3 unrecognisable except for a door that was thrown from the crash and not incinerated. A 100-foot-long tyre skid marked where the car left the road.
Police said they were able to identify Dunn through his tattoos and hair.
Dunn appeared on MTV shows Jackass and Viva La Bam and the three Jackass big-screen adaptations. He also was the star of his own MTV show, Homewrecker, and hosted Proving Ground on the G4 cable network.
G4 spokesman Dave Welch said Proving Ground, which premiered on June 11 with the second episode due to air today, was being shelved until the network could discuss its future.
Dunn's long-time friend and fellow Jackass daredevil Johnny Knoxville tweeted last night: 'Today I lost my brother Ryan Dunn. My heart goes out to his family and his beloved Angie. RIP Ryan, I love you buddy.'
Passenger: Zachery Hartwell (right) was killed in Dunn's fatal car crash yesterday. The pair were at a bar with an unidentified friend in Philadelphia before the accident
Dunn also starred in the yet-to-be-released film Living Will. The film's website describes Dunn's character as a 'party bum slacker (who) returns from the dead as a mischievous and perverted ghost'.
MTV praised Dunn's tireless humour and enthusiasm and said he would be missed.
'We are devastated by the tragic loss of Ryan Dunn - a beloved member of the MTV family for more than a decade,' said Van Toffler, president of MTV Networks Music/Films Group. 'The Jackass brotherhood will never be the same.'
Dunn was born in Ohio and moved at 15 to Pennsylvania, where he met Bam Margera on his first day of high school, according to a biography on his website.
Dunn, Margera, Christopher Raab (known as Raab Himself) and Brandon DiCamillo, under the moniker CKY for 'Camp Kill Yourself', started making videos that featured them skateboarding and performing stunts.
Where the night started: Dunn and Hartwell were both at Barnaby's in West Chester hours before the accident
Dunn was working as a welder and petrol station worker when Knoxville, a friend of Margera's through the skateboarding circuit, asked the crew to allow their videos to be part of the series Jackass, which became a hit on MTV and ran from 2000 to 2002.
Perhaps his most famous stunt, in 2002's Jackass: The Movie, involved inserting a toy car into his bottom and going to a hospital casualty unit, where he made up a story that he was in mysterious pain after passing out at a fraternity party. Dunn's X-ray from the hospital became a popular T-shirt for Jackass fans.
In a 2000 stunt, he dived into a tank at a raw sewage plant wearing flippers, a mask and a snorkel.
Crash scene: Black marks on the road show where Dunn's car skidded out of control
Devastation: Dunn's car span off the road, through a guardrail and into the woods
Bam Margera Breaks Down After Hearing About Ryan Dunns Death

source: dailymail

VIA Raw grief of Jackass star's best friend: Heartbreaking video shows inconsolable Bam Margera as he visits spot where Ryan Dunn died in fiery crash

Towels are necessary in each house

VIA «A variety of towels in our life»

Remember this? Spears and Rihanna's kiss might have reminded fans of the kiss between Britney and Madonna at the MTV VMA's in 2003
Both women were suitably clad in bondage-style body suits as they took to the stage.
While Spears slipped into a black suit, Rihanna opted for white.
Spears's vigorous work-outs for her up-and-coming Femme Fatale tour proved to be paying off, with the blonde looking incredibly toned in her stage costume.
Raunchy start: Rihanna begins her performance sitting on a chair wielding a chain
While Spears lip-synched her parts in the song, her stage antics were nothing less than crowd pleasing and the pair certainly didn't disappoint with their very steamy performance.
Keeping within the bondage theme, Rihanna crawled on her knees while Spears commanded and dominated her with a long chain.
Chain reaction: Dominatrix Spears is surrounded by topless male dancers
Bondage: Spears dons an S&M style mask for some of the performance and Rihanna gets provocative on a chair
Spears also donned a bondage-style mask complete with bunny ears as she wrapped her wrists up in chains.
As always Rihanna turned up the heat on stage as she writhed around on the stage floor, while a pair of male hands attempted to grab her from underneath.
The Umbrella singer was also adorned with the kinky metal chains.

Pillow fight! Spears is playful with dancers on the stage as well as with Rihanna
The two women topped off their show with a sexy pillow fight, hitting the male dancers with the bedding until feathers flew in the air.
The kinky performance was certain to make one man happy.
Winning team: The crowd couldn't get enough of Spears and Rihanna
Spears's boyfriend Jason Trawick was watching from the sidelines.
The 39-year-old looked like the cat that got the cream as the couple posed for a happy snap backstage.
Spears proved that she was well and truly back to her best as she graced the stage for the second time in the night with rapper and singer/songwriter Nicki Minaj.
Minaj started out the performance with her song Super Bass, before Spears came on to sing her hit Till the World Ends.
Feathers fly: The two women enjoy a pillow fight, hitting the male dancers with the bedding until feathers flew
Messing up: They add extra sex appeal to the performance with a raunchy pillow fight
Even though she appeared to be miming while Minaj sang live, Spears put more energy into her dance moves than she has in the past few months.
The act proved to be a successful practice before the duo tour together this summer
Minaj started the song wearing a skin-tight laddered white tank dress over matching leggings and a blue and white striped body suit.
The leotard matched her back-up singers, who acted as duplicates of Minaj, known for her quirky style.
Admirer: Spears's boyfriend Jason Trawick looks like the cat that got the cream as the couple pose for a happy snap backstage
In their blonde bobbed wigs they moved with the 26-year-old as she rocked the stage.
But it was Spears who stole the spotlight in a her tight black minidress worn underneath a cropped leather jacket and strappy stilettos.
Enjoying the show was Justin Bieber who was sitting in the crowd with his girlfriend, Selena Gomez.

Double trouble: Minaj started out the performance with her song Super Bass before Spears came on to sing her hit Till the World Ends
Mini-me: Nicki Minaj took to the stage to perform in a white outfit while other girls with blonde wigs danced around her
Rear of the year? Nicki Minaj flaunts her famous bottom
The young couple were reminiscent of the Justin Timberlake and Spears of yesteryear, as they posed together smiling.
And Selena Gomez affectionately rested her hand on Justin Bieber's leg as they both smiled for the cameras.
The 17-year-old singing sensation looked every bit the pop star in his gold and black tuxedo jacket, while Gomez,18, was the sexy starlet in her slinky black gown.
What a show: Ne-yo and rapper Pitball also performed at the awards with a group of scantily-clad dancers
Gravity defying: Cee Lo Green wore a glitzy suit for his performance which saw him and his piano overturn on stage
Beyonce also gave a show-stopping performance, steaming up the stage as she slipped into a risqué bodysuit to perform her new song Run the World (Girls).
During the night there were also performances by the Black Eyed Peas, Ke$ha, Cee Lo Green, Keith Urban and Neil Diamond, who won the Icon Award, among others.
Finalists and winners were determined by their rank on the Billboard charts and their 'social and streaming activity'.
The show was hosted by Ken Jeong who plays Mr. Chow from The Hangover and the up-coming The Hangover II.
Yes peas! The Black Eyed Peas took to the stage and Fergie and will.i.am put on an energetic performance

source: dailymail

VIA Britney Spears receives an onstage kiss from Rihanna at the Billboard Music Awards

John Cameron Mitchell

I’ve just finished a colossal feature article on John Cameron Mitchell for my newspaper’s weekend magazine and, if possible, writing that story has made me love him more. More than Tiger blood even. I will post an online version of said feature once its run in print, but in the meantime, here’s an update on his next project – an adaptation of Neil Gaiman’s How To Talk To Girls At Parties.

Seriously, Cameron Mitchell and Gaiman collaborating? I haven't heard of a duo this awesome since... well, lets just say I hope this is the beginning of a beautiful friendship. How To Talk To Girls At Parties is an award-winning sci-fi short story written by Gaiman in 2006 and is set in 70s Britain, when two teenage boys go to a party to meet girls and find out they’re actually aliens. I quizzed Cameron Mitchell about the project at the end of our interview, so he only limited time to talk about it. Alas, here’s what he had to say:

Jane Storm: Now, I heard you're directing Neil Gaiman's short story, How To Talk To Girls At Parties. What can you tell me about that?
John Cameron Mitchell: I’m on the verge of starting the script with Neil (Gaiman). We’ve been talking about it a lot and we’re on the same page. It’s like British with aliens and that goes back to my roots of sci-fi and B movies as a kid.

Jane Storm: It's an awesome lil' story. Were you a fan of Gaiman's work before coming onboard this?
John Cameron Mitchell: I’ve always been aware of him, but not his work. It’s fun to get to know it and I’ve been a fan of comic books as a kid but dropped it when Reagan came in. It’s fun to see that adult comic underground he exemplifies, you know, along with Alan Moore and Frank Miller. They use the comic book super hero themes but it has these different ideas and adult humour.

This is pretty different territory for Cameron Mitchell but as he proved with Rabbit Hole, he’s a director who’s willing to try new things. I mean, after a film about a transgender rock singer and another which pushed the boundaries of explicit sex in mainstream cinema, who would have picked him for a muted drama about parental loss and love? Then to follow that up with a B-movie-esque teen sci-fi... the man is versatile. How To Talk To Girls At Parties hasn’t been tagged with a release date yet (even the basic dets aren’t on IMDB Pro) and with rumours still swirling around about whether it will be live-action or animated, it’s clear we will have a long wait before we get any more solid info on how the project is progressing. The bottom line is, stay tuned.

Note: The second image is a limited edition poster by Camilla d'Errico based on Gaiman's short story.

VIA Gay man directing Gaiman

The Unique Canadian House

The two-storeyed Integral House located near to countryside of suburb Toronto (Canada), belongs to Dr. James Stewart (the Canadian professor of mathematics, famous violoncellist). The Canadian architectural studio «Shim-Sutcliffe Architects» became authors of the project of the unique house.

From Curvilinear Exterior to Curvilinear Interior

The top part of a building is created as a translucent structure with glass facades. The bottom level consists of strong oak walls. This variety of the vertical glazed apertures and the natural oak's exterior cover is a maximally harmoniously integrated into a natural Canadian landscape.

The passion of the client to «curves» was a starting point for design of the future house. These curvilinear interior details with doubled integrals and unusual architectural corners provide to the Integral House the unique spatial form penetrating all architectural project. Besides it, for a house interior the furniture from the legendary manufacturer is used.

Definition «the frozen music» — the fully describes this unique country house. For this reason all elements of exteriors and fragments of interiors perfectly sounds in the general symphony of an interior and appearance of the wooden Canadian house.
The main place in the house is the concert zone in which simultaneously can arrive more than 150 persons. At top level the dining room and a drawing room which is carrying out also function of theatrical balconies.

The house is designed taking into account power of innovative architectural technologies and the good acoustic characteristics necessary for the ideal sound effect of a violoncello. Thus, it's possible to declare with confidence that a home renovations are the innovative architectural standards of housing construction.

VIA «Integral House [Toronto, Canada]»