Sew La Ti Embroidery [Search results for Horns UP

  • A Celebration of the NYC Music Scene

    A Celebration of the NYC Music Scene
    ©
    Horns Up Rocks & No Mercy Metal have been a huge part of the NYC Heavy Music scene since they joined forces last year. This is why we decided to throw a massive party with all the bands, the fans, and the promoters!
    Our idea is to celebrate the NYC Music Scene by having Jo Schüftan (founder of Horns Up Rocks) & DJ Tim No 37 (No Mercy Metal) spin music from all the bands that have impacted the NYC music scene.
    We also encourage all the bands to bring merchandise and to use this opportunity to network with other bands!
    The event features:
    - The Devil's Night Happy Hour (5-10 PM): The only Friday night Hard Rock Happy Hour in Manhattan!
    - Guest DJ's spinning the best of NYC Music
    - Band t-shirt & merch swap
    When? Friday, June 24, 2011 at 7 PM
    Where? Idle Hands Bar (25 Avenue B, between 2nd and 3rd streets): # 1 Beer, Bourbon and Rock bar in New York City!
    LETS PARTY!
    Related links:
    Official Facebook Invite
    Devils Night Happy Hour Facebook Group

    VIA A Celebration of the NYC Music Scene

  • Sindependence Metal Bash Promo!

    Sindependence Metal Bash Promo!
    ©
    What? The Sindependence Metal Bash
    When? On Saturday, July 2, 2011 at 7 PM
    Where? Fontana's Bar, 105 Eldridge St., New York, NY 10002
    Who? Lies Beneath, Alekhine's Gun, No Remission, Ashes of Your Enemy and Eyes Like Cyanide.
    Special guest: Cassandra Soto
    Hosts: Horns Up Rocks founder Jo Schüftan and Tim Martinez (DJ Tim No 37) of No Mercy Metal.
    DJ: Alissa Shimansky of Brutal Bitches Productions.
    Presented by: Horns Up Rocks and Brutal Bitches Productions.
    Cost: $10
    Age restriction: 21+ with ID!
    PROMO:

    Related links:
    Official Facebook Invite
    Brutal Bitches Productions
    Lies Beneath
    Alekhine's Gun
    No Remission
    Ashes of Your Enemy
    Eyes Like Cyanide
    Cassandra Soto

    VIA Sindependence Metal Bash Promo!

  • Tribute from Joey Jordison to Paul Gray # 2

    Tribute from Joey Jordison to Paul Gray # 2
    ©Paul Dedrick Gray (A.K.A. # 2) passed away 1 year ago, and left behind an eternal legacy. The charismatic bass player was a key member of the Heavy Metal band Slipknot. Paul was 38 at the time of his death, and was found dead by a hotel worker at 10:50 AM in his in hotel room in Urbandale, Iowa. On June 21, 2010, autopsy results revealed that Gray had died of an accidental overdose of morphine and fentanyl, he also showed signs of "significant heart disease". Gray's best friend Joey Jordison (Slipknot, Murder Dolls), released this statement yesterday via his Facebook page.
    Hey Paul,
    It was so great hanging out with you yesterday and today. Talking and reminiscing about old times and seeing you respond with some of the strongest gusts of wind I’ve ever felt.
    Paul, you always told it like it was. You’re the same guy that wouldn’t let me stay home on New Year’s Eve back in 1992, and once drove over in four feet of snow during a storm, just to hang out! There was no one like you. That’s why you were my best friend.
    ©
    All the music that we’ve done together, all the times that we’ve shared, will live on forever. I miss you each and every day.
    All right Balls, I’ll see you on stage! Let’s destroy.
    There will never be another # 2. I love you.

    Fuck it all! Fuck this world!
    Fuck everything that you stand for!
    Don't belong! Don't exist!
    Don't give a shit! Don't ever judge me!
    ©
    And to all my friends, the Maggots:
    I just wanted to take a moment to thank you eternally for your support on this difficult day. You’re keeping us and Paul’s memory, alive.
    There were supposed to be five days of tornadoes and rain here in Iowa, but the sun came out stronger than it has all year. It’s good to know Paul’s keeping an eye on things.
    This is a horrible thing that happened, but each of you has made this just a little bit easier to deal with. Your support means everything to us.
    Thank you,
    Nathan Jonas Jordison
    Paul Gray had an amazing career, here is his discography and filmography:
    - With Slipknot
    * 1996: Mate. Feed. Kill. Repeat.
    * 1999: Slipknot
    * 2001: Iowa
    * 2004: Vol. 3: (The Subliminal Verses)
    * 2005: 9.0: Live
    * 2008: All Hope Is Gone
    - Other appearances
    * 2005: The All-Star Sessions (Roadrunner United)
    * 2007: Worse Than a Fairy Tale (Drop Dead, Gorgeous)
    * 2008: "Last Stop: Crappy Town" (Reggie And The Full Effect)
    * 2009: "Annual Assault" (Roadrunner Records)

    - Filmography
    * 1999: Welcome to Our Neighborhood
    * 2002: Disasterpieces
    * 2002: Rollerball
    * 2006: Voliminal: Inside the Nine
    * 2008: Nine: The Making of "All Hope Is Gone"
    * 2008: Behind The Player: Paul Gray
    * 2009: Of the (sic): Your Nightmares, Our Dreams
    * 2010: (sic)nesses (posthumous)
    Today and every day make sure you keep Paul's memory alive! Crank up some SLIPKNOT and put your HORNS UP for #2!
    Related links:
    SLIPKNOT's OFFICIAL SITE

    VIA Tribute from Joey Jordison to Paul Gray # 2

  • The Judas Syndrome cover Lady Gaga's "Judas"

    The Judas Syndrome cover Lady Gaga's "Judas"
    ©New York City thrashers The Judas Syndrome decided to risk their reputation for being a hard hitting band, and to cover the song "Judas" by Pop Queen Lady Gaga. While Heavy Music is all about being open minded to new things, we don't think a band that is looking to get signed should be risking their reputation by covering a Pop song, specially when a handful of other artists have already covered Lady Gaga. Why not be original and cover a Heavy Music classic and add a unique flavor to it? Or taking a wise risk like Resolution 15 did when they covered U2's "Sunday Bloody Sunday" and proved that they are phenomenal musicians. Same goes for Slam One Down, who blew everyone's mind at the Horns Up Rocks 1 year anniversary party with their flawless covers of Pantera's "Becoming", ACDC's "Dirty Deeds" and Machine Head's "Davidian".
    Some of you may think that we are being too harsh, but the music industry today is not looking for bands that are taking risks without measuring the consequences. Nowadays a record label will only invest in a band that is smart about how they handle their business on and off stage. Our advice to any up and coming band is to think carefully about what you want to represent and what your ultimate goal is. Don't put years of hard work down, by making the wrong moves.
    Here is The Judas Syndrome covering the song "Judas" by Lady Gaga:
    the judas syndrome - judasbyThe Judas Syndrome
    Now here is also The Judas Syndrome with their original song titled "Death of the Soul":

    Related links:
    The Judas Syndrome on MySpace
    Official site of the Judas Syndrome
    The Judas Syndrome

    VIA The Judas Syndrome cover Lady Gaga's "Judas"

  • The New York City Heavy Music Coallition

    The New York City Heavy Music Coallition
    ©On Saturday, June 18, 2011, history was written at Webster Hall (The Ritz) at the No Remission "Through Blackened Skies" record release show. When we arrived at the venue at 4 o'clock to conduct interviews for an upcoming DVD that showcases the state of the New York City Heavy Music scene, the sun was shining and everyone was really pumped about this very special night for the entire community. After chatting with some of the bands and with some key figures from the scene, it was time for Left In Ruins to do what they do best: deliver a crushing display of brutal Metal filled of very technical guitar parts and positive energy!
    After grabbing a few beers and greeting the crowd, the surprise of the night took center stage. Arcane Malevolence performed a highly energetic set and got the pit initiated for the storm that was about to unravel at Webster Hall. After a few minutes of peace inside the pit, Alekhine's Gun melted everyone's faces with their furious flavor of Heavy Metal! Goddamn, these guys are getting good and sounding tighter and tighter. The sense of unity that this band possesses is a message that is transmitted to the pit army that stands strong whenever they step on a stage.
    Closing this historical night was No Remission who presented New York City with their brand new album titled "Through Blackened Skies" (Click to read our album review), we had personally seen this band live and they impressed the hell out of our ears. The band not only possesses great stage presence and highly technical songs, but they play each song with balls and make the pit army lose their minds!
    At the end of the night the dance floor had a lot of blood, sweat and tears, and a lot of happy people! What is going in New York City right now with Heavy Music is blood rushing and extremely exciting. We can't wait to see the DVD which will include every bands performance and plenty of interviews! Stay tuned horns up throwers!
    Related links:
    TICKETS
    No Remission
    Alekhine's Gun
    Left In Ruins
    Arcane Malevolence

    VIA The New York City Heavy Music Coallition

  • More Stuff: Is Greece about to lose the Parthenon Sculptures forever?

    More Stuff: Is Greece about to lose the Parthenon Sculptures forever?
    The following is an open letter circulated yesterday (May 14) by Alexis Mantheakis, Chairman of the International Parthenon Sculptures Action Committee, on the recent developments in the Parthenon Sculptures issue:

    Is Greece about to lose the Parthenon Sculptures forever?
    Dear All,

    The recent snub by the British government to UNESCO's offer to mediate in the issue of the Parthenon Sculptures dispute and the arrogant wording directed at the Greek government's often repeated offer to negotiate the matter by discussion confirmed our position that Britain never had the intention to enter into good faith discussions. As we had said in recent fora,  the only road we saw to possible success was one of legal action, with a direct and dynamic confrontation with Whitehall.

    The recent response by Britain dissolved any illusions we had regarding the powers in the UK to be brought to do the right thing,  and to right a historical wrong.  We too had hoped that Britain would succumb to worldwide public opinion to correct an outrage,  the stripping and vandalising of the Parthenon of 60% of its famous millenia-old  Sculptures ,  a crime committed when Greeks were under occupation and unable to defend their archaeological heritage and national symbols of identity.

    The latest declaration by the new minister of culture in the UK continues with the hard line of his predeccesors, namely that "The marbles were legally acquired according to the laws of the time. " So Mr Minister were 3 million African slaves, captured,  transported and sold,  "according to the laws of the time." Opium too was purchased and sold, in tons "according to the laws of the time". Those who did not agree to buy your opium had two wars declared on them,  and so China paid with the loss of Hong Kong and a treaty to buy your Indian grown opium.  This, Mr Minister, is NOT that time.  We are disputing your CURRENT possession of symbols of our heritage, removed from Athens and held by you in a totally government financed and controlled museum institution (all the board is appointed directly, or indirectly by the UK government or by the Queen).

    This,  though,  is not the issue.

    One more British government acting like  an infant  petulantly hugging another child's toy,  saying "It is mine, mine!"  is understandable,  because there is no home-made item that can compare in beauty,  artisanry,  historic or other value to those created  by a superior ancient civilisation.  We may understand the feeling,  and commiserate,  but that does not justify the possession of the looted Greek scultures taken from the Parthenon.  There is no justification for it.  We sympathise with the situation the British Museum is in,  but our sympathy doesn't extend to giving up iconic and defitive items of our heritage,  nor did our illustrious and talented predecessors in Ancient Athens build the Parthenon to have its facade torn off and damaged  by a British ambassador to decorate his Scottish residence. The Parthenon was built by Pericles and the Greek city states to commemorate the victory of Greek civilisation against the very type of barbarity  and lack of respect that Elgin indulged in 2300 years later.

    The British position is well known and is in keeping with how official Britain has acted in the last few centuries.  To win in a contest the basic rule MUST be to understand your opponent and create your game strategy around this knowledge.

    Anyone who has studied British history and politics will know that Britain NEVER,  but NEVER,  gives anything back unless forced to do so.  India, Cyprus,  as well as dozens of colonies of the Empire,  and other possessions acquired without the consent of the people, often with great bloodshed caused by British troops were only given back by Britain after a bitterly contested conflict,  on the field of battle,  in courts,  or with a series of extended non-violent political actions by those who had lost their heritage,  freedoms,  or historical archaeological treasures.  Britain today in its museums and in the Tower of London still holds numerous purloined and pillaged items as well as those taken by reason of  military superiority from a vanquished foe defending himself on his own soil.  The Kohinoor Diamond in the so called Crown Jewels  taken from a defeated 15 year old prince in India, is but one example. Manifest Destiny demanded it.  We oppose this way of thinking.

    This lengthy introduction,  and I will apologise,  was to emphasise my conviction that dialogue for the return of the Parthenon Marbles, after so many valiant and polite efforts by Greece,  and its overseas friends in all walks of life,  is not a viable option,  and only  incurable romantics or people without an understanding of the official British character and its limitations can insist that this dead end is the road to the Restitution in Athens.

    The problem is not the obduracy and intransigence of British officialdom.  It is a given, and we have to act  with that in mind.  It is with the very knowledge of the historic failure of Greek diplomacy,  both cultural and political,  and that of our own self-financed voluntary Parthenon organisations, to bring about the return, that it was encouraging when the Greek government,  that for 40 years has not asked Britain officially for the Sculptures return,  not long ago decided to involve an experienced and prestigious British legal firm Doughty Street Chambers led by George Robertson QC,  to represent our interests and to write a report regarding  what options were open for Greece to act.

    Overall public awareness of the issue and additional sympathy for the Greek case was given very welcome boosts,  human nature being what it is,  by declarations of public support by celebrities such as George Clooney,  Matt Damon and others,  while a visit to Greece by Mrs Clooney with her senior colleagues at the UK law office created a media frenzy and a heightening of public interest in the Parthenon issue.  The Doughty Chambers law group produced a 140 page confidential report for the Greek government describing,  as leaked to the press,  5 options.  The one considered to have the highest chance of success was,  and this is no surprise to us,  for Greece to go immediately to the  European Court of Human Rights where,  according to the report,  there was  the greatest chance of a Greek legal victory.  The lawyers were specific: it is  now or never,  if the opportunity is  not to be lost with issues such as statutes of limitations in the near future killing Greek chances of recovery of the items through international court decisions.

    In Greece,  as we all know there is a new government,  and the report was delivered to them.  With the understanding of the British penchant for intransigence,  fortified by the recent snub to UNESCO, and the history of failed attempts,  the new minister had a detailed road map in his hands,  to move forward,  with of course the support of millions around the world and at home.  Expecting his decision to do this,  using the British law firm and their international expertise and experience in cross border cultural issues we were stunned to hear the announcement of Under Minister Mr Nickos Xidakis,  a former journalist,  who announced,  in more words than these,  that " We will not go against Britain in court... This is a matter to be settled politically and diplomatically...this issue will be settled, bit by bit over, time..."

    Looking at what the minister said let us examine the  viability of his declared course of action over that which the British lawyers and we ourselves at IPSACI believe,  and we all want the same thing ,  the return of the Parthenon Sculptures.

    A) Mr Xidakis rejects the expert opinion of the British legal experts.  Claiming we may lose in court.  But for 200 years we have lost! We can only win,  or if we lose here, we can initiate a new legal action in another court.

    B) Mr Xidakis says the issue can be won diplomatically.  The question is,  after 200 years of failed  diplomatic initiatives, is the government of Mr Xidakis in such a powerful international position to impose a solution using diplomacy? Does he know of Greek diplomats who can force Mr Cameron to sign a new law allowing/directing the Return of the Parthenon Sculptures?

    C) Mr Xidakis told the press that the issue should be dealt with "politically" .  This is indeed one way countries settle disputes.  The assumption by lay persons like myself,  on hearing the Minister,  is that Greece at this moment has the political clout to bring the British Museum to its knees and to force Mr Cameron to sign the document of repatriation of the Sculptures to Athens. With all our goodwill towards Mr Xidakis, where does he draw this feeling of current Greek political power and superiority over Britain from?

    D) Finally the minister says that this issue is being slowly resolved, "little by little".

    But it has already been 200 years from the stripping of the friezes and metopes and Britain has not moved one centimetre in the direction Greece demands!

    If the minister does not tell us why he feels his/our  government has the diplomatic and political power to solve the issue,  I very much fear that his position looks like a hot potato shifting of the issue to a future government because of  reluctance to take the bull by the horns,  as recommended by the UK lawyers, and get into court with his British counterpart.(Apologies for the mixed metaphors!)

    I have a great fear that we are about to lose the Parthenon Sculptures for ever, and that the work of all our organisations, ministries,  diplomatic missions,  our volunteer supporters, and decades of dedicated work by people such as yourselves around the world, and in Greek and international  organisations are about to be lost down the drain.

    I therefore beg those who believe that we must recommend to Minister Xidakis and his staff to listen to the recommendations of people and experts who know the issues well,  and understand the mindset of those walking the halls of Russell Square and Westmister,  to express their concern to the authorities in Greece.

    Thank you for your patience in reading this long analysis of where I believe  we are today,  in view of the recent, and disturbing developments.

    Best to all,
    Alexis Mantheakis
    Chairman of the International Parthenon Sculptures Action Committee Inc.
    Athens office.
    www.ipsaci.com
    +(30)22990 47566

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