The United States returned Wednesday hundreds of Iraqi artefacts its special forces recovered during a raid in Syria against a man described as the Islamic State group's top financier.Looted artefacts recovered by the US military during a recent raid in Syria are returned to the Iraqi authorities on July 15, 2015 at the National Museum in Baghdad [Credit: AFP Photo/Sabah Arar]
Some of the pieces were displayed at the Iraqi national museum during a repatriation ceremony attended by Antiquities Minister Adel Shirshab and US Ambassador Stuart Jones.
"These artefacts are indisputable evidence that Daesh (IS) -- beyond its terrorism, beyond its brutality and destruction -- is also a criminal gang that is looting antiquities from museums and historical sites," Jones said.
"And of course the purpose of this is to sell these items on the black market," he said.
The pieces on display in one of the recently reopened museum's main Assyrian halls Wednesday were small items, including coins, statuettes and jewellery.
"The coins for example are from the Islamic period. This is evidence that this terrorism that claims such heritage is blasphemous is trying to profit from it by selling it," Shirshab said.
The artefacts were retrieved by the US commandos who carried out a rare raid inside Syria on May 15 during which Abu Sayyaf, a top IS figure, was killed.
Abu Sayyaf was believed to be the jihadist organisation's top financier, and US officials said they were learning a lot by analysing what the raid had produced.
"These are very precious, priceless pieces," said Hakim al-Shammari, head of the exhibitions department at the national museum.
He could not estimate the black market value of the recovered artefacts but said they would have made a substantial contribution to IS finances.
"The revenue they get from selling such pieces is used to finance operations, buy weapons, recruit people and manufacture car bombs, for example," he said.
Officials at Wednesday's ceremony provided few details on exactly where and when the returned artefacts had been looted.
IS has captured much attention by posting videos of its militants destroying statues and heritage sites on the grounds that they are idolatrous.
But experts argue they have mostly destroyed pieces that are too large to smuggle and sell off, and kept the smaller pieces, several of which are already resurfacing on the black market in the West.
The US says it has repatriated more than 3,000 stolen artefacts to Iraq since 2005.
Iraq celebrated on Wednesday the return of hundreds of historical artefacts, from an ancient Assyrian statue to a 20th century presidential tea set, which were looted, lost or loaned abroad over recent decades.Recovered artefacts are seen at the National Museum of Iraq in Baghdad, Iraq July 8, 2015 [Credit: Reuters/Khalid al-Mousily]
The recovery of the 800 items from museums, universities and auction houses in the United States, Italy and Jordan marks a small victory for Iraqi authorities struggling to protect their heritage from theft and destruction by Islamic State fighters.
The hardline Islamist militants have taken over some of the world's richest archaeological sites in northern Iraq, home to Assyrian cities dating back 2,700 years and the Graeco-Roman era desert complex of Hatra.
Videos released by Islamic State show several sites bulldozed, blown up or battered with sledgehammers. Officials say priceless antiquities have also been stolen to help fund the militants' self-declared caliphate in Iraq and Syria.
Recovered artefacts are seen at the National Museum of Iraq in Baghdad, Iraq July 8, 2015 [Credit: Reuters/Khalid al-Mousily]
Wednesday's collection of returned items, put on show at Baghdad's national museum, was modest compared to the suspected scale of the ongoing theft and destruction.
It included dozens of metal spearheads which officials said dated back to Iraq's Sumerian era between 4,000 and 2,000 B.C., tiny vases, pottery seals and fragments with cuneiform writing.
Some had been identified when they came up for sale at auction houses. Others were recovered from long-term loans to universities abroad, officials said.
Recovered artefacts are seen at the National Museum of Iraq in Baghdad, Iraq July 8, 2015 [Credit: Reuters/Khalid al-Mousily]
The collection included nearly 200 items that went missing from Iraq's presidential palaces in the turmoil which followed the U.S.-led invasion to overthrow Saddam Hussein, they said.
Alongside the white china tea set - each item marked with an eagle to represent the Iraqi republic - was a large ceremonial sword, silver cutlery and two rifles.
Government ministers attending a ceremony to mark their return called for greater international help to protect Iraq's antiquities, saying the scale of the threat was unprecedented.
Recovered artefacts are seen at the National Museum of Iraq in Baghdad, Iraq July 8, 2015 [Credit: Reuters/Khalid al-Mousily]
Islamic State, which rejects all but its own narrow interpretation of early Sunni Islam as heresy, has destroyed ancient temples, shrines, churches, manuscripts, statues and carvings in territory it has seized. Officials say it has also looted widely, selling artefacts to fund its rule.
"We are not dealing with smugglers but a group that calls itself a state, carries weapons and trades in antiquities," Tourism and Antiquities Minister Adel Shirshab said. "The world must pay attention to the new danger".
More than three months after Islamic State fighters released video footage of them smashing statues and carvings at Mosul museum and the ancient sites of Hatra, Nimrud and Nineveh, Shirshab told Reuters it was hard to assess the damage.
Recovered artefacts are seen at the National Museum of Iraq in Baghdad, Iraq July 8, 2015 [Credit: Reuters/Khalid al-Mousily]
"The region is under terrorist control. We don't have precise, detailed information...The situation is fluid and unclear.
Shirshab said that footage showing destruction at the sites was deliberately put out to obscure Islamic State fighters' real aim. "Many of these antiquities were stolen to fund this terrorist group," he said.
Museum experts from around the world on Monday issued an "emergency red list" to help authorities identify Iraqi antiquities at risk of being looted and illegally exported as the country battles a surge in jihadist violence.
The list from the Paris-based International Council of Museums (ICOM) highlights objects that are popular on the black market such as sculptures, stone tablets, vases and coins, and tells customs and police officers how to spot stolen ancient treasures.
"In recent months we have witnessed massacres of minorities in Syria and Iraq but also the destruction of priceless works of cultural heritage," the head of Paris's famed Louvre Museum, Jean-Luc Martinez, said at a press conference presenting the new list.
"These are two parts of the same strategy that has been described as 'cultural cleansing' which seeks to erase entire segments of human history," he added.
Items on the list range from millennia-old Mesopotamian goods to 19th-century artefacts from the reign of the Ottomans.
ICOM's president Hans-Martin Hinz said that since 2000 the organisation has published red lists for over 25 nations.
"It is a solution with proven results," he said, adding that art dealers should "stop buying objects that come from Syria and Iraq."
Created in 1946, ICOM brings together over 35,000 members including museum professionals in 137 countries and cooperates with UNESCO, the World Customs Organization and Interpol to fight against the illicit trafficking of antiquities.
Iraq's cultural heritage is protected by national laws and international conventions.
UN member-states on Thursday declared that the destruction by jihadists of Iraqi cultural sites may amount to war crimes and agreed to take steps to curb the trade of stolen ancient artifacts.An image made available by Jihadist media outlet Welayat Homs on May 28, 2015 allegedly shows a flag of the Islamic State in the ancient city of Palmyra, a 2,000-year-old metropolis and an UNESCO world heritage site [Credit: AFP]
The General Assembly adopted a resolution on saving Iraq's cultural sites as international concern mounted over the fate of the Syrian archaeological site of Palmyra captured by Islamic State fighters a week ago.
Videos of IS combatants destroying artifacts at the Mosul museum and smashing sledgehammers into ancient walls at Hatra and Nimrud sparked an outcry and calls to prevent the "cultural cleansing" of the Middle East.
The non-binding resolution drafted by Germany and Iraq condemns the "barbaric" destruction and looting of heritage sites and calls for the prosecution of perpetrators of cultural vandalism.
The measure urges states to ensure that art collectors, auction houses, art dealers and museum professionals provide documentation to verify the provenance of artifacts.
"The destruction of Iraqi cultural heritage, the cradle of civilization, is no less barbaric and serious than killing Iraqis," Iraq's Ambassador Mohamed Ali Alhakim told the 193-nation assembly.
German state minister Maria Boehmer said the destruction of world heritage sites "is a war crime and an attack on humanity as a whole."
"Every person needs to know that the purchase of property from Iraq is punishable but also that it supports and finances terrorist activities," said Boehmer.
The resolution calls for stepped-up efforts to protect and track items of cultural heritage and warns that attacks on historic monuments may amount to war crimes.
During a news conference following the adoption, Alhakim lamented that the Security Council did not adopt such a resolution, which would then have been binding and enforceable.
The council in February adopted a resolution that seeks to cut off financing to the Islamic State group from the smuggling of antiquities.
That measure slapped a ban on the sale of antiquities from Syria, while a 10-year-old ban on those from Iraq remains in force.
The videos of Islamic State militants destroying ancient artifacts in Iraq's museums and blowing up 3,000-year-old temples are chilling enough, but one of Iraq's top antiquities officials is now saying the destruction is a cover for an even more sinister activity - the systematic looting of Iraq's cultural heritage.People observe ancient artifacts at the Iraqi National Museum after its reopening in the wake of the recent destruction of Assyrian archaeological sites by the Islamic State group in Mosul, as they visit the museum in Baghdad on March 15, 2015 [Credit: AP/Karim Kadim]
In the videos that appeared in April, militants can be seen taking sledge hammers to the iconic winged-bulls of Assyria and sawing apart floral reliefs in the palace of Ashurnasirpal II in Nimrud before the entire site is destroyed with explosives. But according to Qais Hussein Rashid, head of Iraq's State Board for Antiquities and Heritage, that was just the final step in a deeper game.
"According to our sources, the Islamic State started days before destroying this site by digging in this area, mainly the palace," he told The Associated Press from his office next to Iraq's National Museum - itself a target of looting after the 2003 U.S.-led invasion that ousted Saddam Hussein. "We think that they first started digging around these areas to get the artifacts, then they started demolishing them as a cover up."
While there is no firm evidence of the amount of money being made by the Islamic State group from looting antiquities, satellite photos and anecdotal evidence confirm widespread plundering of archaeological sites in areas under IS control.
Nimrud was also the site of one of the greatest discoveries in Iraqi history, stunning golden jewelry from a royal tomb found in 1989, and Rashid is worried that more such tombs lie beneath the site and have been plundered. He estimated the potential income from looting to be in the millions of dollars.
Experts speculate that the large pieces are destroyed with sledgehammers and drills for the benefit of the cameras, while the more portable items like figurines, masks and ancient clay cuneiform tablets are smuggled to dealers in Turkey.
The destroyed old Mosque of The Prophet Jirjis in central Mosul, Iraq, on July 27, 2014 [Credit: AP]
On Wednesday, Egypt, together with the Antiquities Coalition and the Washington-based Middle East Institute will be holding a conference in Cairo entitled "Cultural Property Under Threat" to come up with regional solutions to the plundering and sale of antiquities.
This isn't the first time, of course, that Iraq's antiquities have fallen victim to current events. There was the infamous looting of the museum in 2003 and reports of widespread plundering of archaeological sites in the subsequent years, especially in the south. U.S. investigators at the time said al-Qaida was funding its activities with illicit sales of antiquities.
What appears to be different this time is the sheer scale and systematic nature of the looting, especially in the parts of Syria controlled by the Islamic State group. Satellite photos show some sites so riddled with holes they look like a moonscape.
The G-7's Financial Action Task Force said in a February report that the Islamic State group is making money both by selling artifacts directly - as probably would be the case with material taken from the museums - or by taxing criminal gangs that dig at the sites in their territory. After oil sales, extortion and kidnapping, antiquities sales are believed to be one of the group's main sources of funding.
In February, the United Nations passed a resolution recognizing that the Islamic State group was "generating income from the direct or indirect trade," in stolen artifacts, and added a ban on the illicit sale of Syrian antiquities to the already existing one on Iraqi artifacts passed in 2003.
The face of a woman stares down at visitors in the Hatra ruins, 320 kilometres north of Baghdad, Iraq on July 27, 2005 [Credit: AP/Antonio Castaneda]
While Iraq contains remains from civilizations dating back more than 5,000 years, the hardest hit artifacts have come from the Assyrian empire, which at its height in 700 B.C. stretched from Iran to the Mediterranean and whose ancient core almost exactly covers the area now controlled by the Islamic State group.
The looted artifacts most likely follow the traditional smuggling routes for all sorts of illicit goods into Turkey, according to Lynda Albertson, head of the Association for Research into Crimes Against Art. From there, the most common route is through Bulgaria and the Balkans into Western Europe. Britain and the United States remain the biggest markets for antiquities, though wealthy collectors are emerging in China and the Gulf - especially for Islamic-era artifacts.
International bans make the ultimate sale of illicit antiquities difficult, but not impossible. So far, there have been no reports of major, museum-quality pieces from IS-held territory appearing in auction houses, so the artifacts must be going to either private collectors or they are being hoarded by dealers to be slowly and discretely released onto the market, said Patty Gerstenblith, Director of the Center for Art, Museum and Cultural Heritage Law at DePaul University.
"I do believe that dealers are willing to warehouse items for a long time and that they may be receiving some `financing' to do this from well-heeled collectors or other dealers operating outside of the Middle East," she said. "It is relatively unlikely that a major piece would be plausibly sold on the open market with a story that it was in a private collection for a long period of time."
Mesopotamian sculptures, jewelry and stelae sold legally have commanded stunning sums, up to $1 million in some cases, but the looters would be selling them to dealers for a fraction of that cost - with the profit margin coming from the sheer number of artifacts being sold.
A piece falls off from a curved face on the wall of an ancient building as a militant hammers it in Hatra, a large fortified city recognized as a UNESCO World Heritage site, in Iraq on Friday, April 3, 2015 [Credit: AP/ISIS video]
Iraq has sent lists to the International Council of Museums, the U.N. and Interpol detailing all the artifacts that might have been looted from the museum in Mosul, Iraq's second-largest city overrun by IS last June. Harder to stop, however, is the sale of never-before-seen pieces that have been newly dug up and never registered.
There is new legislation going through the U.S. Congress to tighten controls on illicit trafficking of materials from the Middle East, though Albertson contends that the laws are less important than the manpower devoted to enforcing them.
"A new resolution is just another well-intentioned piece of ineffective paper," she said.
The Iraqi government is now rushing to document the remaining sites in the country, especially in the disputed province of Salahuddin, just south of the Islamic State stronghold in Nineweh province. Nineweh itself is home to 1,700 archaeological sites, all under IS control, said Rashid of the antiquities department.
As a number of experts point out, though, most sites in Iraq have not been completely excavated and there are likely more winged bull statues and stelae waiting to be found under the earthen mounds scattered throughout this country - assuming the Islamic State group and its diggers don't find them first.
Author: Paul Schemm | Source: The Associated Press [May 12, 2015]
Last month, terrorist group Islamic State (ISIS) released a video showing militants smashing artefacts in the ancient Assyrian city of Nimrud and then blowing up the site. This is the latest in a string of attacks on Iraq’scultural heritage. In February, the group took sledgehammers and pneumatic drills to statues in Mosul Museum.A digital reconstruction in the works of the Lion of Mosul [Credit: Copyright: Project Mosul]
Archaeologist Matthew Vincent has started a technology initiative to counter ISIS’s destruction — and he says his approach could work in other fragile and war torn states too.
Vincent and his colleagues at the Initial Training Network for Digital Cultural Heritage, a programme focusing on the electronic documentation and protection of cultural heritage, have set out to create digital replicas of Mosul Museum’s relics through Project Mosul.
The project’s volunteers primarily use a technique called automatic photogrammetry. This relies on photographs of the destroyed objects, crowdsourced from people who have visited the museum. The team input a series of photos of each object taken from different angles into software that triangulates key points on the object’s surface to create a digital 3-D model. About a dozen pictures are needed to do this.
Vincent and his team have already digitally reconstructed a selection of the lost artefacts — including the ornate gate below.
Metal Riveted Gate by AD&D 4D on Sketchfab “This technique can in no way replace what was destroyed by the Islamic State, but it can help preserve the memory of that heritage,” says Vincent.
Vincent’s current focus is setting up an online museum, but he has also considered 3-D printing. This would enable the production of detailed replicas of the artefacts. The team would need more information to do this, such as data on the original measurements and materials, which is not always available.
Both the digital reconstruction of the artefacts and the prospect of 3-D printing are complicated by ownership issues. There is no clear legislation about who holds the ‘copyright’ to ancient cultural heritage, so deciding who owns it can be difficult.
Vincent says there are two general strands of thought about who owns the rights to ancient artefacts. One says that local authorities should be the custodians, the other sees the objects as having universal ownership.
“I feel the correct way to resolve these situations is to always work with the local authorities,” Vincent says. But he adds that there seems to be a sentiment coming from those in Iraq that Iraqi heritage should be accessible to the world. “As such, there seems to be a positive attitude towards this effort.”
Vincent now hopes to extend the endeavour to digitally restore objects destroyed not just at Mosul, but also at Nimrud and the UNESCO world heritage site of Hatra, an ancient fortified city in northern Iraq.
“We are working on expanding our tools to handle other sites,” Vincent says. “Really any site around the world that has been destroyed in conflict would be ideal for this platform.”
He adds that the preliminary work on the ‘digital museum’ of replicas from the Mosul Museum should be freely available to the public soon.
Addressing a meeting of the United Nations Security Council (UNSC) on combating the destruction, smuggling and theft of cultural heritage, INTERPOL Secretary General Jürgen Stock reaffirmed the Organization’s commitment to tackle these crimes.This mosaic was stolen in 2011 from Afamya in Hama, Syria [Credit: Interpol]
The meeting, convened by the Permanent Missions of Jordan and France to the United Nations, co-presidents of the Security Council, was an opportunity for member countries to discuss and identify innovative and practical ways to protect and preserve cultural heritage following the recent adoption of UNSC Resolution 2199 (2015).
“In the eyes of criminals, cultural heritage often stands as an easy target,” said Secretary General Stock.
“The current situation in Syria and Iraq presents a significant challenge as sites vulnerable to destruction are often out of effective government control and illicit excavations dominate the picture,” added Mr Stock.
The INTERPOL Chief said lessons had been learned from the first Gulf War, after which just one item was inserted into the world police body’s Stolen Works of Art database. The implementation of UNSC Resolution 1483 (2003) resulted in the successful collection of around one quarter of the 2,700 Iraqi records now contained in the database.
In the context of UNSC Resolution 2199 (2015) information on more than 1,300 items removed from the Deir Atiyah Museum and other sites in Syria is currently being added to the database to be made available to more than 2,000 users from law enforcement, customs, partner organizations and private dealers.
UNESCO Director General Irina Bokova highlighted the extent of the tragedy underway, especially the loss of humanity’s millennial history.
“Heritage must be at the frontline of peace building, as a way to build back dignity and confidence. It is imperative to curb radicalization and counter the narrative of hatred and division. The fight against illicit trafficking of cultural objects must be strengthened throughout the world,” said Director General Bokova.
Previous successes include the deployment of a multi-disciplinary team to Iraq under the auspices of UNESCO and the creation of a dedicated INTERPOL Tracking Task Force bringing together key authorities for direct information exchange.
Raising public awareness and support through vehicles such as the UNESCO #unite4heritage campaign, which is backed by INTERPOL, and also engaging Internet Service Providers and online marketplaces to report suspected sales of Syrian and Iraqi cultural heritage were also highlighted as ways to strengthen the fight against illicit trafficking.