Car factory in Paris

AREP builds on city's historic legacy with redevelopment of former car factory in Paris. AREP has redeveloped the former Panhard car factory in Porte d'Ivry, Paris, applying exciting design choices to work with the city's existing heritage.

The Panhard and Levassor workshops were partially demolished in 1967 to create the Olympiades district. They are the last remnants of a thriving industrial past, after the demolition of all the automobile plants in Paris: the Renault facilities on Ile Séguin, Citroën in Javel and part of the Panhard factory at Porte d'Ivry.

Between 2007 and 2013, AREP extended and entirely refurbished the building to create 21,000 sq m of office space as well as public facilities (a nursery and the premises of a non-profit organisation running a day centre for the homeless). The firm worked with architects Jean-Marie Duthilleul and Etienne Tricaud and with Benoît Ferré and Serge Caillaud (Phase 1 and Building Work Management).

In an environment dominated by the verticality of high-rise residential blocks, the project keeps the former factory alive, sustains its horizontality and unique architectural style and relies on the ornamental features of the existing façades: materials, dominant chromatic palette and contour line.

The brick façade provides a mineral base extending the current façades while the openings are in line with the rhythm of the original building. Each, partially or entirely, new façade forms a coherent whole with the reinforced mineral angles providing the framework for a more open sequence in the centre.

Two large industrial-style statuesque boxes loom above the roof-top mouldings, clad in a double semi-transparent layer of glass and perforated coppery metal and echoing the tiles on the saw tooth roofs. These are intended as a metaphor of the former industrial features.

The adjacent cut of the Petite Ceinture (an abandoned railway line) was decked over to create a garden. Planted with ground covering plants, shrubs and trees, the garden slopes down from Rue Regnault to the new garden level, reflecting the characteristic bucolic image of the embankments of the Petite Ceinture, where vegetation takes over any available space.

The new extension houses a nursery in its north-east corner and a day centre for the homeless in its north-west corner, both situated on the garden and ground-floor levels.

The work spaces inside the building are designed to facilitate contact, interaction, formal and informal relations. This result is achieved through clearly designed spaces (atrium and vertical access flows), quality of the working environment (natural light, acoustics and ergonomics) and green spaces.

VIA «Redevelopment of the Car Factory In Porte d'Ivry [France, Paris]»

Musical Zenith

VIA «Foster + Partners have reincarnated in Zenith»

The Inspired Shop

The new interior for Parisian shop L'Eclaireur was issued Arne Quinze, by the artist from Belgium.

For furnish of internal territory of a fashion it was required two tons of wooden boards, and also it is a lot of others vintage elements. Into walls it's integrated 147 screens showing various animated plots.

The Vintage Interior

“This place inspires us. We each time try to be beyond easier luxury. This research, search, surprise… Various possibilities for display of necessary expressiveness of data, the actual moment.
It not simply stop, is experience. The project has united in itself dreams, emotions, history and memoirs. It's imagination in which each person will find itself.”

VIA «New Vintage Interior of Parisian Shop»

French Provencal Style

Design of a kitchen room in the French style — the fine decision for the romantic ladies. This tendency takes a predominating place among all fashionable trends of interiors, thanks to the grace and unique charm.

The Kitchen Tendencies

Provencal style is a reflection of an aesthetics of the south of France. The 1st in such design — a whitewash. Bleached ceilings and walls — some kind of the standard of Provencal style.

Provencal style welcomes all home decoration with olden time touch. The new kitchen furniture can be made old a little: small cracks, scratches will give it charm.

Do not forget about the furnace! A decorative mantelpiece — an important component part in Provencal style of kitchen room. Do not forget about jugs, vessels and small vases with artificial or natural flowers.

The Kitchen Furniture

Besides it, in antique shops you can find set of original additions which will give to your interior the finished sort. Also it's necessary to give great attention to a choice of blinds and curtains.

VIA «The French Country Style»

Li Xiaojie, head of the State Administration of Cultural Heritage, presented a gold ornament to Liu Weiping, Gansu provincial governor, at a hand-over ceremony on Monday morning, marking the relics' return.

It was the first time cultural relics have been successfully returned to China following bilateral negotiations between the Chinese and French governments. They were returned by French private collectors Francois Pinault and Christian Deydier earlier this year.

The 32 gold items came from tombs in Dabuzishan in Lixian County, Gansu Province dating back to the Spring and Autumn period (770 BC-476 BC). The tombs were badly looted during the 1990s and a large number of relics, including the gold ornaments, were smuggled abroad.

A public exhibition of the relics also opened on Monday and will last until Oct. 31. After that, they will be permanently displayed at the Gansu Provincial Museum.

Source: Xinhua [July 20, 2015]

The actual laser modeling is done by mounting a laser from a tripod and shooting the gallery, taking time to measure the distance between the scanner and every point it hits. Each one of these points represents a distance — by mapping millions of points from a single location, historians can measure how the building expands and contracts during the day, as well as how it shifts over longer periods of time. By combining the point cloud data generated by the laser scanner with on-site photographs taken at the same time, Tallon has created extremely accurate models of the underlying structure and design of the cathedral, and identified points where the cathedral’s masons either deviated from the original plan or paused work to allow the ground to settle.

Tallon’s research, for example, has found that the Gallery of Kings — the massive, three-doorway facade that dominates one side of the cathedral, had shifted almost a foot out of plumb. Researchers had previously suspected that work had stopped on the area for up to a decade, and this new work suggests why that might have occurred. The masons, realizing that the building was shifting in the thin, sandy soil, halted progress to give the ground time to settle and resumed a decade later.

Other findings from Tallon’s work include data that shows the internal columns of Notre Dame don’t align perfectly, and that workers likely incorporated existing structures in the area as part of the cathedral rather than tearing them out altogether. The flying buttresses, which were often thought to be a later addition to the architecture, were likely installed from the very beginning to counterbalance the effect of the vaulted ceilings (which tended to force the walls outward). External support from flying buttresses would push the walls inward, counterbalancing the vaults. The walls of Notre Dame have scarcely moved since they were constructed — a testament to the exquisitely balanced and counterbalanced supports.

National Geographic has a full update on the process and technology used to create the laser point models and a discussion of the work done at Notre Dame and other Cathedrals. Laser and LIDAR-assisted mapping has become more prominent in recent years, thanks to its ability to show us where long-buried structures or archaeological remains may still exist. Thermal maps and subtle gradation variations can also show remnants of mankind’s activity in an area, even when shifting sands or jungle terrain has obscured the more obvious visual reminders. Human buildings and structures absorb heat differently than surrounding terrain even when buried, which gives us a window into the past when conventional methods or other records come up short.

Author: Joel Hruska | Source: Extreme Tech [June 24, 2015]

The story of how the relic was discovered has entered local legend in Reuil-Malmaison after a resident, who has never been identified, turned up at the municipal dump in 2001 and asked where to throw her unwanted goods.

“She said: ‘Where shall I put this, it’s a mummy?’ We weren’t sure exactly what she was talking about. She just said she was clearing her cellar,” Jean-Louis Parichon, an employee at the dump, recalled shortly afterwards.

“I immediately saw it was an extraordinary thing and put it to one side. Then when I’d stopped being astonished, I called the town museum.”

After years of examination, experts declared that the mummy had been brought from Egypt by one of Napoleon’s generals in the mid-1850s.

The mummy, whose name from the hieroglyphics is Ta-Iset (she of Isis), is believed to date from around 350BC and comes from the Akhmim region in upper Egypt on the east bank of the river Nile.

Radiographic scans revealed that the mummified body is that of a girl “in her fourth year” measuring 92.5cm. The skeleton is well preserved and whole, the head is bent towards the chest, and the quality of the wraps and cask suggest a child of the Egyptian middle classes.

Although the linen bandages and coverings decorated with hieroglyphics were badly damaged, a stylised bird feather and inscription revealed the name Ta-Iset.

“A cut from a knife is visible on the side showing that certain people have already tried to see if [the casket] contained precious metals or amulets,” said Marie-Aude Picaud, director of the history museum at Reuil-Malmaison.

The town council contributed to the restoration, but a large part of the cost was raised by public donations.

Ta-Iset will now go on display in a temperature-controlled room at the town’s history museum.

Author: Kim Willsher | Source: The Guardian [May 13, 2015]

The grotto at Vallon-Pont d'Arc in the Ardeche region of southern France, is a reproduction of the closely guarded Grotte Chauvet, which was granted World Heritage status last year.

The French president had already officially inaugurated the museum earlier this month and it officially opened to the public on Saturday.

The replica cave, which took a team of scientists two and a half years to create, will enable tourists from around the world to continue to see the frescos of painted animals without damaging the original cave.

Unique in the world for being such an identical and precise reproduction, the grotto has been built in the shape of a bear's paw, and stands just one kilometre away from the original site.

Inside the new grotto, which came a cost of €55 million visitors will be able to see more than a thousand drawings, including 425 animal figures of 14 different species, which have been meticulously reproduced.

The smell, humidity and even stalactites of the Grotte Chauvet have also been recreated to make the new site as authentic as can be.

The visitor walks down a long ramp to get into the building housing the replica, entering a darkened, cool and humid place that mirrors conditions in the grotto.

Then just like in the real cave, people stick to a walkway that takes them past replica bones and the skull of an Alpine ibex, a species of wild goat.

The drawings reveal themselves as the visitors walk further into the fake cave, a total of 1,000 paintings including 425 animals -- including bears, rhinos, big cats, owls.

These have been reproduced using charcoal, just like our Aurignacian ancestors did some 36,000 years ago.

Using ultra-modern techniques such as 3D imaging, engineers, sculptors, painters and visual artists faithfully reproduced the paintings.

A team of 10 people in Paris also worked for four years to reproduce stalactites, stalagmites and other formations present in the Grotte Chauvet itself.

Authorities hope that the giant replica will attract some 350,000 visitors a year.

The original Chauvet grotto was preserved for more than 20,000 years thanks to the fallen rocks, which blocked its entrance.

The grotto was discovered on the 18th December 1994 by amateur potholers: Jean-Marie Chauvet, Eliette Brunel et Christian Hillaire.