The Concrete House in suburb of Melbourn
The Second — private — half of building is similar to a narrow and long case on which perimetre the gallery with an exit in a garden lasts.
Similarity and Distinctions
VIA «Life on the Moon»
VIA «Life on the Moon»
The Australian architectural studio «Lyons» has finished building a ultra-modern medical complex «John Curtin School of Medical Research». The unique architectural building expressively reflects progressive methods of work and aspiration to innovative processes.
In the medical center based on base of the Australian National University in Canberra are based: research laboratories, medical clinics, health care offices, hall for teaching lectures and the world seminars.
Dynamical architectural forms of a building draw attention of the public and personify development and movement. The translucent structure provide premises with necessary quantity of natural illumination in stylistics of fine style of Art Deco. However especially effectively unusual building to the evening.
The impressing effect amplifies contrast of black elements of a facade and snow-white internal panels, which simultaneously open to a sight at certain points of view of it unique building.
In Sydney will celebrate the Chinese New year, having placed two huge orange tigers executed in style origami, in city center. The project is developed architectural company LAVA, Laboratory for Visionary Architecture.
As is known — 2010 of the Tiger; besides, origami concerns China. Dimensions of an original figure: 2,5m in height, 7m at length. Tigers are similar to huge lanterns — thus authors have decided to unite design and technologies, the East and the West.
Figures are made of processed materials and highlighted by special economical illumination. Tigers will sit on the area before Customs from February, 11th till March, 14th.
Sean Kitchen — the project of studio BEE Design opened in September, 2008 in Sydney.
The head cook and owner Sean Connelly (the Winner of popular competition head cook Sydney Morning Herald in 2007) supervises over this dynamical restaurant.
The restaurant consists of the several zones named “contact points”. In each of such zones various variants of a delicatessen and a decor that gives possibility to diversify the menu in the same institution, at invariable quality of service. Zones are named: Tapas Bar, Ocean Shelf, Patio Bar and Lounge.
The restaurant on 300 places, with the Mediterranean interiors perfectly combines in the interior earthy shades red and brown with sharp illumination.
However the most intriguing aspect of a premise is the openness of area for cooking of the dishes, allowing to observe skillful masters of culinary arts in work and all movement of the kitchen personnel.
VIA «Home builder in Sydney»
Unfortunately, most Australians have not had the privilege of visiting these special places. Such a visit radically expands a person’s understanding of Australian history as something that goes much, much deeper than our shallow, colonial roots of the last few hundred years.
To reinforce this broader understanding of identity and heritage, archaeologists, chemists, geologists, and physicists from the universities of Melbourne, Western Australia and Wollongong, Archae-Aus consultancy, and the Australian Nuclear Science and Technology Organisation launched a 3 year project across the Kimberley to date rock art using an astonishing variety of scientific techniques.
In 2014 the team was privileged to begin work along the King George River in Balanggarra Country, and has continued this year along the coast of Dambimangari Country.
The work involves careful study of the rock art and its associated cultural context and then taking very small samples mostly of mineral crusts, mudwasp nests and organic material growing on rock surfaces, for laboratory analysis.
These materials may also degrade the art itself over time, so understanding their formation will help guide future conservation and management practices.
No rock art dates are available yet – though indications are that some rock art is very recent, while other rock art traditions may be tens of thousands of years old.
These dates will help demonstrate to the outside world the depth and range of Kimberley rock art, and build the case for it to be recognised with World Heritage Site status.
These dates also help disprove false claims that some Kimberley rock art was not made by Aboriginal people.
To properly date and understand Kimberley rock art will take many years, but the Rock Art Dating Project team are confident the results will help grow a national pride and respect for this intellectual and cultural achievement made and looked after by Aboriginal people.
Source: Science Network WA [July 07, 2015]
Federal Environment Minister Greg Hunt has told Fairfax that he believes the Budj Bim landscape – stony rises from Mt Eccles near Macarthur to a prehistoric aquaculture system on Lake Condah and south to Tyrendarra wetlands – was an outstanding site that had the potential to achieve World Heritage status.
He has invited the Victorian government to complete an independently audited assessment to prove compliance with world heritage values.
If that showed there were "recognised outstanding universal values, then I would be delighted to propose this as a tentative item for listing by the World Heritage Committee", he said.
The Victorian Premier, Daniel Andrews, has written to Mr Hunt stating the Victorian government's full support for listing Budj Bim, and has forwarded a peer-reviewed study by leading scientists and archaeologists that finds the landscape is of international significance and that the criteria for listing is fully justified.
Budj Bim – the Indigenous name of Mt Eccles which produced the lava flow that was settled by the Gunditjmara Indigenous people thousands of years ago – is already on the Australian National Heritage Register.
World Heritage listing would elevate it to the status of the Great Barrier Reef, one of the 19 Australian sites currently receiving international protection.
The Gunditjmara are considered unique in Australia. They lived in large villages constructed of stone huts and harvested eels and fish in a sophisticated network of weirs and traps, dated to at least 6600 years ago, that meant they had no need of a nomadic lifestyle.
The Gunditj Mirring Traditional Owners Aboriginal Corporation, backed by teams of archaeologists, historians and independent heritage experts, having been gathering evidence for a decade to support the nomination for UNESCO World Heritage listing.
Author: Tony Wright | Source: The Age [June 05, 2015]
Developed by Showpony Adelaide to draw attention to the alarming number of bowel cancer related deaths in Australia and to encourage individuals to get themselves tested.
Category: Charities & appeals;
Client: Jodi Lee Foundation;
Agency: Showpony Advertising;
Country: Australia;
Creative Director: Parris Mesidis;
Art Director: Jonathan Pagano;
Copywriter: Parris Mesidis;
Photographer: Liam Salt;
Illustrator: Shane Bevan;
Finished Artist - Manuela Ortiz.
From dancing penguins to sailing the high seas during the Napoleonic Wars, Australian-based screenwriter John Collee brings a young Charles Darwin to life in his latest project Creation. I had a chat to Collee a few weeks back about this, that and the other thing, and have put together a neat little yarn on his work with Creation here. However, Collee also told me some crazy stories about collaborations with Guillermo del Toro and Steven Spielberg, and forth coming projects, which I will tie together in another story over the next few days. Stay tuned baboons.
When Scottish-born screenwriter John Collee, the writer behind Oscar-winning films such as Happy Feet and Master and Commander: The Far Side of the World, sat down to write a biopic of Charles Darwin, he hit a wall. He did not want to portray the English naturalist, who came up with the theories of evolution and natural selection, as just another `boring scientist'. So he turned to the writings of Darwin's great, great grandson Randal Keynes, who presented the scientist in a unique light.
``The Darwin you get on screen is always the guy with the beard and he has always been portrayed as this sober and rather boring intellectual,'' says Collee.
``Whereas the Darwin that comes out in the descriptions by Randal (Keynes) is of this charming, young dad.
``You get this really human perspective which is also taken from all of his kids who wrote stories about him.
``A guy you thought you knew through his science actually comes across as this fabulous family man.''
For Collee, who has lived in Sydney for over decade with his wife and children, this is someone to whom he could relate. He used Keynes biography of Darwin, Annie's Box, as the basis for the screenplay Creation, a new film directed by Jon Amiel. Starring Paul Bettany as Darwin and Jennifer Connelly as his wife Emma, Creation follows Darwin in the lead up to publishing On The Origin Of Species, where he struggles to find a balance between his revolutionary theories and the relationship with his religious wife, whose faith contradicts his work. The couple are also battling to come to terms with the death of their 10-year-old daughter Annie, who had scarlet fever. Despite having seen and achieved many things, Collee says he choose to focus on this chapter of Darwin's life because it `represented something about the modern condition'.
``I like writing films about ideas and there are powerful ideas in this and they crystalise around a tragic event; the death of child,'' says Collee.
``They (Darwin and Emma) were very much in love, they had 10 kids, they were very inter-dependent on each other, but she was completely Christian and he was a scientist.
``The miraculous thing about their relationship was that it worked and that they were able to live so closely together.
``So it's about the resolution of science and religion, and how they find an alternative to the language of religion and of science, with love.''
Having worked with Bettany before on Master and Commander, Collee says although he tried not to write the role for him specifically, but he kept coming to mind due to his `uncanny resemblance' to a young Darwin.
``He came to mind more and more as I wrote the script but I try not to write with someone in mind because of the nature of the business,'' he says.
``But young Darwin looked very much like Paul Bettany and when we were writing Master and Commander Weir had a young Darwin as the model for `the Doctor' and I kept getting the memory of Paul as that character.
``There were lots of things that made me keep going back to him.
``And Paul gave Jennifer the script to read and she then wanted to play Emma.
``Because they're married in real life they bring that context to the roles too.''
And no, unfortunately that isn't as dirty as it sounds. The world's largest short film festival, the Movie Extra Tropfest, is on again this weekend and by some beautiful sign from the Gods, it's coming to the Gold Coast. I know what you're thinking; `so what? I don't live on the Gold Coast.' But for those of us who call the cultural vacuum home, having an event like this each year is a glorious reminder that yes, there is artistic expression and free-thinking individuals somewhere. Rejoice!
The festival is one of Australia's most iconic cultural events and has grown from humble beginnings in the early nineties at the Tropicana Café in Sydney, to what is now the largest outdoor short film festival globally. Out of thousands of films that entered, the 16 finalists will be screened on Sunday night with the 14 finalists in the Trop Jr category playing in the afternoon.
The finalists are broadcast nationally to a live audience of more than 150,000 via simultaneous satellite broadcast in Sydney, Melbourne, Adelaide, Hobart, Canberra, Brisbane, the Gold Coast and Perth. A fantastic opportunity for up and coming filmmakers, the top entrants compete for prizes worth $150,000 across several categories.
Tropfest festival director John Polson, who also directed the Russel Crowe-starring film Tenderness (for those of you playing at home)
Festival director and founder John Polson says watching the entries is the best part of his job, but choosing the final 16 is the "the toughest''.
"This year's line-up encompasses an incredible, entertaining and thought-provoking mix of comedy, drama, animation, documentary and even mocumentary,'' he says.
"There are some familiar faces amongst the 16 finalists, including some past Tropfest finalists, but it's also great to be able to showcase some of Australia's best, new filmmaking talent.''
The flick I'm, er, rooting for is Testicle, an animated short film from a duo in Queensland about a baby born with one testicle. You've got to admit, it's pretty ballsy *insert face slap here*. The festival highlights will also be broadcast live on the Movie Extra Channel. If you feel like you're missing out, never fear because Tropfest is a global event and the New York leg is one of the biggest so I suggest check out the website here for all the details on a Tropfest near you.